Punk Band – Go Go Go Airheart http://gogogoairheart.com/ Sat, 25 Sep 2021 01:08:42 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://gogogoairheart.com/wp-content/uploads/2021/06/icon-150x150.png Punk Band – Go Go Go Airheart http://gogogoairheart.com/ 32 32 Four decades photographing Bristol’s musical excellence https://gogogoairheart.com/four-decades-photographing-bristols-musical-excellence/ https://gogogoairheart.com/four-decades-photographing-bristols-musical-excellence/#respond Fri, 24 Sep 2021 23:01:00 +0000 https://gogogoairheart.com/four-decades-photographing-bristols-musical-excellence/ When photographer Mark Simmons moved from London to Bristol in the mid-1980s, he was just in time to witness some of the city’s most creative and exciting years for music. Hip-hop teams, punk groups and leftist experimenters had started to make their way into a number of underground clubs in the city. Soon trip-hop would […]]]>

When photographer Mark Simmons moved from London to Bristol in the mid-1980s, he was just in time to witness some of the city’s most creative and exciting years for music. Hip-hop teams, punk groups and leftist experimenters had started to make their way into a number of underground clubs in the city. Soon trip-hop would emerge, with local artists Massive Attack, Tricky and Portishead putting Bristol on the global music scene.

Simmons was among it all, photographing artists, concerts, street parties and festivals. His approach was to become a participant rather than a stranger, dancing in the crowd for hours and taking photos, gaining the trust of the people around him to surprise revelers and performers in their most natural and unsupervised state. “When taking [action] photos, you have to be in the eye of the storm to truly capture that moment, ”says Daddy G of Massive Attack. “Mark has always been that guy.”

His four decades of work have resulted in an archive of over 20,000 images of Bristol’s musical history. He has photographed Massive Attack, Roni Size & Reprazent, DJ John Stapleton, Moonflowers and Sub Love. He also captured the first drum’n’bass ‘jungle’ sessions at Malcolm X, St Paul’s Carnival, the crowd at the Ashton Court festival and dance competitions at the Easton Community Center.

Bogle Competition, Easton Community Center, October 1992

(Marc Simmons)

Bristol drum’n’bass duo Roni Size and Krust photographed for ‘Straight No Chaser’ magazine in 1996. As Reprazent they won the 1997 Mercury Prize for their album ‘New Forms’

(Marc Simmons)

Blue planes, Ashton Court Festival, 1987

(Marc Simmons)

Daddy G & Mushroom, Massive Attack, Galaxy live radio session, March 1995

(Marc Simmons)

Some highlights of this extensive archive are show now at Strange Brew, Bristol, for the current Bristol Photo Festival. They are also collected in a forthcoming book, Marc Simmons The sounds of Bristol, published by RRB Photobooks.

Much of Bristol’s best music has come from the coming together of different subcultures and communities – reggae meets hip-hop meets punk and rave. Community is also the beating heart of Simmons’ work. Whether it’s monstrous sound systems at St Paul’s Carnival, sweaty deep house parties, or hippies chilling out at a free festival, it’s clear that these accessible common spaces have played a key role in the promotion of Bristol’s inordinate musical influence.

Body Heat: Conscious Club, Trinity Center, July 1994. Deep House Night

(Marc Simmons)

Free Festival, Ashton Court Festival, Bristol, July 2000. The festival closed in 2007 after 34 years of midsummer entertainment.

(Marc Simmons)

Sound outside the former Crystal Dove Blues Club, St Paul’s Carnival, July 1998. Carnival is a special time for Bristolians: the streets are theirs for the day. At the time this photo was taken, Banksy was painting a mural on the back of the building. The building and the mural are now gone

(Marc Simmons)

Keith Tippett, British jazz pianist and composer, October 2000

(Marc Simmons)

Lupine Howl at the Bristol Industrial Museum, May 2000. Lupine Howl was formed from three members of Spiritualized (Mike Mooney and Sean Cook, pictured, plus Damon Reece), ousted from the group shortly after his mega-album ‘ Ladies and Gentlemen We Are Floating in Space ‘

(Marc Simmons)

Nonetheless, a number of spaces photographed by Simmons have since closed. Organizers of the Ashton Court Festival in Bristol, once Europe’s largest free festival, declared bankruptcy in 2007 shortly after new government regulations on licensing laws and health and safety requirements. St Paul’s Carnival, Bristol’s annual celebration of its black and Caribbean heritage, has struggled to cope with cancellations over the past decade due to funding issues and, more recently, Covid-19 . Simmons’ work reminds us not only of the individuals who made Bristol great, but also of the importance of the community that created them.

High Volume: Bristol Sounds: Mark Simmons The exhibition is taking place at Strange Brew, Bristol as part of the Bristol Photo Festival until October 30. Mark Simmons – Bristol Sounds, is published by RRB Photobooks on October 1st


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A musical month of October is coming | Showcase https://gogogoairheart.com/a-musical-month-of-october-is-coming-showcase/ https://gogogoairheart.com/a-musical-month-of-october-is-coming-showcase/#respond Fri, 24 Sep 2021 11:00:00 +0000 https://gogogoairheart.com/a-musical-month-of-october-is-coming-showcase/ As we move into October, Halloween is just around the corner and right now the live music renaissance is in full swing. The diversity of upcoming shows gives me a sense of renewed hope for our music community – not only in the number of shows, but also in the diversity of genres and locations. […]]]>

As we move into October, Halloween is just around the corner and right now the live music renaissance is in full swing.

The diversity of upcoming shows gives me a sense of renewed hope for our music community – not only in the number of shows, but also in the diversity of genres and locations. There are bands that I have never heard of before.

Whenever I experience this feeling of optimism, I feel inclined to share what is happening in our community. As always, events are always added and announced. Follow these places on social media to stay up to date.

Transplant brewing company

Doors open at 7 p.m., start of the show at 8 p.m.

Reggae / Surf: Numbskull Productions presents KBONG with Vana Liya.

Doors open at 7 p.m., start of the show at 8 p.m.

Hard Rock: PHILM / Seconds to Centuries / Sunwick / Sound Curfew

Doors open at 7 p.m., start of the show at 8 p.m.

Rock / Indie / Alternative: Burgerwolf presents Church Girls / The Downsides / XOM / Lazy Beam

Doors open at 7 p.m., start of the show at 8 p.m.

Metal / Hardcore: Burgerwolf presents Shred Bundy / Easy Death / Rise & Strike / Abrupture / Sissyfit.

Doors open at 7 p.m., start of the show at 8 p.m.

Rock / Metal: Spirit In The Room / Alain Johannes / Big Pig / Glass Stab / Deism

Doors open at 7 p.m., start of the show at 8 p.m.

Hard rock / Progressive / Alternative: Ravenous wolves / Dive Bomb / Legions / The Undecided / The frequency of bread

7:30 p.m. doors open, 8:30 p.m. start of the show

$ 12 in presale, $ 15 day of the show

Punk Rock: Sucka Punch Productions presents The Runts with Broken Cuffs / 700 Klub and more

Doors open at 7 p.m., start of the show at 8 p.m.

Emo / Indie / Rock / Pop: Colorless / Aveline Wallflower / Earth is a Death Star / Animals Over People.

Doors open at 7 p.m., start of the show at 8 p.m.

Indie / Rock / Garage / Alternative: The Miles / Lazy Beam / Hik1komori / ilikeyourface

Doors open at 5 p.m., start of the show at 6 p.m.

$ 20 in presale, $ 25 day of the show

Punk Rock / Hardcore: Sucka Punch Productions Presents DRI w / Retox AD

Doors open at 7 p.m., start of the show at 8 p.m.

Metal / Hard Rock: This Place is a Zoo / Cel Damage / 1989 / Recalibrate

Doors open at 7 p.m., start of the show at 8 p.m.

Indie Rock / Surf Punk: Drac and the Swamp Rats / Band called Kevin / Las Ritas / How Scandinavian

Doors open at 7 p.m., start of the show at 8 p.m.

Hard Rock / Metal: Metal Assault presents Old Blood / Through the Oculus / Solar Haze / Sound Curfew.

Doors open at 8 p.m., start of the show at 9 p.m.

Electronic Rock / Hard Rock: Synthecircuit / Seconds to Centuries / Ad Hocs

Doors open at 7 p.m., start of the show at 8 p.m.

Hip-Hop / R & B / Soul: Emani22 / ihateyouALX / Donavan Ransom / Heno

$ 25 until the day of the show, $ 30 the day of the show

Hip Hop: Sucka Punch Productions presents Devin the Dude and Aceyalone

Lucky Luke Brewing Company

Singer-songwriter / Acoustics: One More Round: A Songwriters Series with Peter McGuire, James Graves, Jimmy Long and Matt Shaffner

Start Me Up – A tribute to the Rolling Stones.

American Legion Post # 311

$ 5 in presale, $ 10 at the door

Genre: EDM / House / Drum and Bass: Bass Blown Entertainment presents Here Comes The Boo 2021. DJs, costume contests and more

Country / rock / songwriter: Nightmare on Guido’s Street with Tina Guzman and James Graves of Westbound 66, Siren Valley, Janell Crampton and the Lesbian BBQ

Country / America: Sweetwater Gentleman hosted by Moldy Marvin

Acoustic open mic by Vincent Hill with Moldy Marvin and his friends


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Smells like a classic album: Nirvana’s “Nevermind” changed the sound game 30 years ago https://gogogoairheart.com/smells-like-a-classic-album-nirvanas-nevermind-changed-the-sound-game-30-years-ago/ https://gogogoairheart.com/smells-like-a-classic-album-nirvanas-nevermind-changed-the-sound-game-30-years-ago/#respond Thu, 23 Sep 2021 20:04:47 +0000 https://gogogoairheart.com/smells-like-a-classic-album-nirvanas-nevermind-changed-the-sound-game-30-years-ago/ Exceeding the hype in the music industry is rare. Weeks before Nirvana’s “Nevermind” was released on September 24, 1991, the buzz was everywhere. “Do you know the Nirvana album? Courtney Love asked me right before the release of “Nevermind”. Love springs from the album and Cobain, calling him holy and salt of the earth. The […]]]>

Exceeding the hype in the music industry is rare. Weeks before Nirvana’s “Nevermind” was released on September 24, 1991, the buzz was everywhere. “Do you know the Nirvana album? Courtney Love asked me right before the release of “Nevermind”. Love springs from the album and Cobain, calling him holy and salt of the earth. The love continued to nausea over “Nevermind”.

“You must hear the album,” Nitzer Ebb frontman Douglas McCarthy told me about a month before “Nevermind” saw the light of day. “It just catches your eye.” McCarthy, then a member of the DGC label, was on site. I remember jumping into the CD, and from the first urgent notes of “Smells Like Teen Spirit” I was captivated. I sat down and watched the speakers, just like I did when I experienced Sonic Youth’s “Daydream Nation” in 1988.

After a number of rounds of “Nevermind” and catching the trio at a small club in Philadelphia, my projection was 200,000 copies and the potential to pack 3,000 theaters. I had no idea the zeitgeist had arrived, and the hair metal bubble was about to be bitten by three young punks. All of a sudden, spandex and Cinderella and Warrant albums were in the bargain baskets, and flannel hit mainstream stores.

It was the only time I experienced a tangible musical and cultural change. A new wave of music swept across the landscape like a tsunami. It all came together for Nirvana at the same time. Cobain wrote the best songs of their short career, the band finally found their drummer, Dave Grohl, and producer Butch Vig catapulted the band off lo-fi land with Pavement and Guided by Voices adding some sparkle. to production.

Vig, the Garbage drummer who produced Smashing Pumpkins, Sonic Youth and Green Day, had no idea the album would sell millions of copies and become a sound game changer, influencing a myriad of games. ‘recording artists. “I never would have guessed it would be such a success,” said Vig. “I was contacted by Jonathan (Poneman) from Sub Pop. He sent me a copy of Nirvana’s (first) “Bleach” and I was not impressed.

“The record was one-dimensional except ‘About a Girl,’ which looks like a Lennon-McCartney composition. Nirvana came to my studio for Sub Pop, and we recorded eight tracks. Kurt has clearly raised the bar as a songwriter. He wrote more melodically with more interesting song structures. Then he said to me one day, ‘Hey, Butch, I have the best drummer in the world. Wait until you hear Dave Grohl hit the drums. Everything came together. I thought we would make this great indie rock record, and maybe it will sell 500,000 copies. I had no idea that this trendy moment was about to happen and change my life.

Cobain’s life was changed by the Melvins. Sludge rockers had a huge impact on Cobain, and he became a close friend of Melvins singer-guitarist Buzz Osborne, who believed “Nevermind” would sell a few hundred thousand. “But I never thought it would have done as well as it did,” Osborne said. “I’m bad at that kind of stuff, but it’s their best record. The songs are there.

“But I never know what will sell. Watch Green Day’s “Dookie”. When I first heard it, I thought, “Who’s going to buy this ringing garbage?” It’s crap that sounds like a bad version of Descendents and Dickies. No one would be fooled by this shit, I thought, but I was wrong. But “Nevermind” is really that good. “

Cobain loved classic rock. Word has always been that “Smells Like Teen Spirit” is a Pixies scam, but the riff owes more to Blue Oyster Cult’s “Godzilla” and Boston’s “More Than a Feeling” than to anything the Pixies have. designed. Cobain also listened to quite a few Smithereens while writing and recording “Nevermind”. However, the late singer-songwriter Pat DiNizio of Smithereen was disgusted by Nirvana’s success.

“I don’t want to give them more press than they already have or make people think we have to talk about them to validate our existence,” DiNizio told me in 1993 after Cobain appeared on the show. Rolling Stone cover with a “Corporate Rock Still Sucks T-shirt.” But it’s corporate rock.

“The great irony is that despite his wishes he became the embodiment of corporate rock, just like Eddie Vedder and this guy (late singer Scott Weiland) from Stone Temple Pilots who embodied the worst aspects of rock for me. from the 70s. I have to endure this again after experiencing it the first time.

DiNizio expressed his contempt through the song “Sick of Seattle”. “I feel so tired / And grungy and scared / Tired of the flannel / And my hair is growing / Tired of going nowhere / And I’m sick of Seattle.”

It wasn’t just DiNizio who thumbed his nose at Nirvana. During a show in the fall of 1991 in Philadelphia, Bob Mold stopped in the middle of the show and delivered an angry rant slamming the success of Nirvana. Mold said he was bitter when he wondered why his former band, Husker Du, had never enjoyed the kind of commercial success that Nirvana has achieved.

“Amelodic” was how John Oates of Hall & Oates dismissed Nirvana-designed music in a conversation in 2012. Ironically, Nirvana and Hall & Oates were inducted into the Rock and Roll Hall of Fame at the same ceremony in 2014. Wayne Coyne of Flaming Lips called “Nevermind” the most overrated album in rock history.

However, the album changed the course of music history. Bands like Poison’s Career have been put on hiatus. Still, Poison frontman Bret Michaels had no problem with Nirvana.

“How could I hate Nirvana?” Michaels told me in 2019. “I loved ‘Smells Like Teen Spirit’. I’ve always been grateful for everything and have such a positive attitude. I’ve had ups and downs in my life. , but I always bet on myself.

KISS was marked by grunge, but singer-bassist Gene Simmons has never had anything but respect for Nirvana.

“It was a great group,” Simmons said. “It starts with their chord structures and melodies. Some of these melodies are very Beatle-esque. Nirvana changed the culture. The bands that came from Seattle, Alice in Chains, Soundgarden and especially Nirvana, were amazing.

Speaking of Alice in Chains, singer-guitarist Jerry Cantrell knew “Nevermind” would be huge. “It’s a perfect record,” said Cantrell. “There are a handful of them in rock history. If you’re lucky, you’ll get one, and it was theirs. He (Cobain) threw a hit with that one. This album is linked to so many people.

“Nevermind” has also had an impact on the hip-hop community. “I remember the first time I heard ‘Nevermind’ I was blown away,” recalls Cypress Hill MC Sen Dog. “I remember hearing it, and I knew it was the new wave of music. Nirvana was doing something different, just like we were doing something different.

The most beautiful return on “Nevermind”, the life of Cobain and his genius is of the singer-guitarist of the Teenage Fanclub Norman Blake. The Fanclub topped Spin’s Best Albums list in 1991 with their charming “Bandwagonesque”. “Nevermind” was third behind REM’s “Out of Time”. Blake and his comrades, since they were often on the same tour, were part of the Bills with Nirvana and became close to Cobain.

“’Nevermind’ still stands,” said Blake. “It’s a great album. When I think back to Kurt, I remember how much he loved punk rock, Motown and Daniel Johnston. Fame did not suit him. We have known Nirvana during the ‘Bleach’ period. I remember when it all exploded. All this adulation. Fans absolutely loved what they experienced with ‘Nevermind’ and the shows on this tour.

The conversation with Blake revolved around what would have happened if Cobain had not committed suicide in April 1994. The same thing happened during a conversation with Thurston Moore of Sonic Youth. There was no Cobain band more respected than Sonic Youth, a critical darling who sold enough albums to be a mainstay of DGC and a reason Nirvana signed to the label.

“’Nevermind’ is a great album,” said Moore. “There is no doubt about it.” Moore knew immediately that Cobain was special. “Kurt’s sense of melody was so clever and effective. Kurt always called what he did the B word (the Beatles). It must be experimental, but melodic. It is rare to find a group capable of informing and of making melodic experimental music.

“Sonic Youth played with this concept, but not as much as Nirvana. Nirvana was unique. Oasis thought they were as cool as Nirvana, but they weren’t. Oasis wrote some great songs. They released a great album, but they had no legs. Kurt did it even though he was no ordinary. He wasn’t talking about the Red Hot Chili Peppers or Pearl Jam. He loved Daniel Johnston.

Part of what makes the eclectic “Nevermind”, the brilliance of “Smells Like Teen Spirit”, the dark angular sounds of “Come As You Are”, the soaring “Breed”, the intense “Territorial Pissings” and the pretty ballad “Something in the Way” is that Cobain came from a real and honest place as a writer.

“Completely,” Moore said. “He was a very intelligent child, always very open and curious. He understood the magic of subversive art in a conservative forum. The emotion in his voice was not something you can fake. He had been there since his childhood. If Nirvana had another singer, we wouldn’t be talking about them today.

The incomprehensible success changed Cobain even though his wife didn’t see him that way. “What’s cool is that he doesn’t take that teenage revolution beep seriously or he would turn into Bono,” Love said after Nirvana broke up. Becoming one of the most reluctant spokespersons in a generation has not helped. The same can be said for Cobain’s horrible habit.

“I didn’t like the people around him and all the drugs he was taking,” Osborne said. “You take drugs out of the equation, and that’s a different story. If you take the drugs off maybe you don’t tell me about ‘Nevermind’, maybe you talk to Kurt about the album today.

Read the rest of this feature at spokesman.com/ae.


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Philly punk band create an ode to the store’s nachos https://gogogoairheart.com/philly-punk-band-create-an-ode-to-the-stores-nachos/ https://gogogoairheart.com/philly-punk-band-create-an-ode-to-the-stores-nachos/#respond Wed, 22 Sep 2021 12:33:24 +0000 https://gogogoairheart.com/philly-punk-band-create-an-ode-to-the-stores-nachos/ We all have our culinary culinary delights. Whether it’s fast food, frozen pizza, or some form of candy, everyone has a snack or food you will never apologize for. For members of the punk band riotgrrrl Frog, it turns out that they are nachos from 7 eleven. And who can blame them? We’ve all been […]]]>

We all have our culinary culinary delights. Whether it’s fast food, frozen pizza, or some form of candy, everyone has a snack or food you will never apologize for. For members of the punk band riotgrrrl Frog, it turns out that they are nachos from 7 eleven.

And who can blame them? We’ve all been there. It’s the middle of the night, you’ve been out enjoying some adult drinks and all of a sudden the idea of ​​7-Eleven nachos sounds awesome. So you stop, fill the paper tray with crisps and smother them in nacho cheese.

To some people, it sounds disgusting. To others, myself included, it feels like a party for one.

And as we mentioned, it looks like those of us who like a good serving of 7-Eleven nachos might include the members of the Philadelphia area group Froggy among us. How do we know? Because they love 7-Eleven nachos so much, they wrote a song about them.

7-Eleven goes all-in with Froggy on their song about their popular nachos.

However, things are getting better. Froggy recorded and released the song “7-Eleven Nachos” as part of their debut EP output and jokingly, I asked the good folks at 7-Eleven if they wanted to sponsor the group. Never in a million years did they expect an answer.

But they got an answer. And not just a Tweet or a post on the 7-Eleven Facebook page, no. The convenience store chain actually put money into the girls making a real music video for “7-Eleven Nachos”. Shot in their hometown of Doylestown, the video showed the band performing the song at an impromptu concert in a 7-Eleven parking lot.

The video debuted on social media earlier this week and has attracted a whole new audience to Froggy’s girls. And all because they love 7-Eleven nachos and don’t care who knows.

What do you think of the culprit eaters? Is “7-Eleven Nachos” a catchy song or what? Leave a comment below and let us know or join the conversation on our Twitter and Facebook pages.



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Henry Rollins from Black Flag Boards NEW-GEN Animated Series https://gogogoairheart.com/henry-rollins-from-black-flag-boards-new-gen-animated-series/ https://gogogoairheart.com/henry-rollins-from-black-flag-boards-new-gen-animated-series/#respond Wed, 22 Sep 2021 00:43:25 +0000 https://gogogoairheart.com/henry-rollins-from-black-flag-boards-new-gen-animated-series/ Former Black Flag frontman and Legend of Korra alum Henry Rollins joins the cast of the NEW-GEN animated series, based on the Marvel comics. The upcoming animated series based on the APNG Enterprises comic distributed by Marvel NEW GENERATION found his villain in former Black Flag frontman Henry Rollins. According to an official press release, […]]]>

Former Black Flag frontman and Legend of Korra alum Henry Rollins joins the cast of the NEW-GEN animated series, based on the Marvel comics.

The upcoming animated series based on the APNG Enterprises comic distributed by Marvel NEW GENERATION found his villain in former Black Flag frontman Henry Rollins.

According to an official press release, Rollins will express NEW GENERATIONthe central antagonist of, Deadalus, a twisted nanotech-scientist who has vowed revenge after being driven out of NEW-GEN’s futuristic utopia, where “humans, alien creatures and mechanical life forms peacefully coexist “. The sci-fi series follows twin brothers – voiced by Finn Wolfhard and Nick Wolfhard, respectively – who “live like ordinary teenagers and superheroes enhanced by nanotechnology.”


RELATED: Hit-Monkey Trailer Features Marvel’s Most Violent Animated Show Yet

A legend in the world of punk rock, Rollins was the fourth and most prolific singer of Black Flag, serving as the band’s frontman from 1981 until its initial disbandment in 1986. After the split from Black Flag, Rollins formed Rollins Band , which was active from 1987 to 2006. In 1995, Rollins won the Grammy Award for Best Spoken Word Album for his memoir Get in the van: on the road with Black Flag.

Rollins has lent his award-winning voice to a number of animated productions over the years, possibly most notably that of Nickelodeon. The legend of Korra, voicing the character of Zaheer in 13 episodes of the Avatar: The Last Airbender series of suites. Most recently, Rollins voiced the character of Tri-Klops on Netflix He-Man and the Masters of the Universe series of suites, Masters of the Universe: Revelation. He also worked on episodes of Batman beyond, Teen Titans and Adventure time, among other cartoons. When it comes to live action, Rollins is known for his role as AJ Weston on FX. Sons of anarchy.

RELATED: Mayans MC Renewed For Season 4 At FX

Created by JD Matonti, Chris Matonti and Julia Coppola of APNG Enterprises, the original NEW GENERATION comic book series launched in 2008, printed, distributed and advertised by Marvel Comics. The upcoming animated adaptation is created and produced by Coppola and the Matontis, with JD as director. Brent Friedman serves as writer / showrunner, with Eugene Son as co-writer. Additionally, former Marvel CFO Ken West has joined the fray as an advisor to the board of APNG Enterprises. Besides Rollins and Wolfhards, NEW GENERATION stars the voices of Lena Headey, Luke Wilson and Anya Chalotra.

“We are delighted that Henry Rollins is joining our All-Star Team NEW GENERATION “said JD Matonti.” Henry will play our villainous master Deadalus, a brilliant and tormented nanotech-scientist exiled from NEW GENERATION in the Underworld where he is preparing his revenge. “

KEEP READING: Danzig’s Iconic Logo Taken From a Forgotten Marvel Comic Book

Source: APNG Entreprises

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Billie Eilish, Green Day Among Life Is Beautiful Highlights https://gogogoairheart.com/billie-eilish-green-day-among-life-is-beautiful-highlights/ https://gogogoairheart.com/billie-eilish-green-day-among-life-is-beautiful-highlights/#respond Tue, 21 Sep 2021 00:19:00 +0000 https://gogogoairheart.com/billie-eilish-green-day-among-life-is-beautiful-highlights/ The days have turned into a daze. Seventy-Two Hours and Almost as Many Acts: Life is Beautiful 2021 has come and gone in a blustery blur over the weekend. It was a lot to absorb; were you taking notes? No worries, we were. Here are some of the highlights: ‘Happier than ever?’ “Did I go […]]]>

The days have turned into a daze.

Seventy-Two Hours and Almost as Many Acts: Life is Beautiful 2021 has come and gone in a blustery blur over the weekend.

It was a lot to absorb; were you taking notes? No worries, we were.

Here are some of the highlights:

‘Happier than ever?’

“Did I go too far?” She wondered over a pneumatic beat punishing the subwoofer.

It was a rhetorical question, of course. Billie Eilish put it down anyway.

Her request was for the final chorus of “NDA,” a new song from Eilish’s recently released second album, “Happier Than Ever,” which she performed live for the first time on Sunday on the downtown stage. by Life is Beautiful.

The song embodies the thematic direction of the record, on which Eilish frankly faces off against a teenage celebrity crush. (She will be 20 in December).

“I can barely get out, I think I hate it here,” she sang earlier in the song. “Maybe I should think about a new career.”

Nope. Judging by the smile Eilish displayed throughout her closing festival set on Sunday, the way she planted two feet into the stage to geysize into the air, grinning as much of the crowd did. likewise, it seems she handles fame very well.

Eilish often sings quietly, using a whispering purr suggesting telling dark secrets in even darker rooms, but she screams with her body, an exclamation mark embodied that night in an oversized white shirt and matching shorts.

On Sunday, she returned to Life is Beautiful almost two years to the day after her festival debut on September 20, 2019. She ended her performance with “Bad Guy,” the song she opened her 2019 set with, and started her show with “Bury Your Friends”, the song she concluded her 2019 set with.

When life is turned upside down, sometimes the songs follow suit.

The “Prize for the least subtle scenic imagery” is awarded to…

Haim. Ahead of the trio of sisters filming on Saturday, the video screen backdrop of the downtown scene featured an image of a meat cleaver, with “Women in Music” inscribed on its handle, slicing. a sausage. Hmm… we’ll need a little more time to contemplate the significance of this one, but what immediately became apparent was how well Haim’s performance in terms of harmony and instrument exchange. went well. In addition, bassist Este Haim continues to provide the best rock face in the industry. Somewhere, the ghost of Joe Cocker nods in approval.

Best T-shirt Spotted In The Crowd

The black and white one that said “4th sister Haim” – worn by a guy, naturally, on Friday.

Kiss that

A punk rock band that covers Kiss? Wasn’t punk born primarily in response to the glitz of mainstream 70s rock ‘n’ roll, to say goodbye to people like Kiss? And yet, there was Green Day on the Downtown Stage on Saturday, leading the crowd in a raucous “Rock and Roll All Nite” kiss from Kiss that one could probably hear in Henderson. At this point, Green Day has gone from being a punk rock band to a hard rock band, and they’re one of the best at putting on a Big Rock Show. Costume bunny boogieing to the Ramones’ “Blitzkrieg Bop” before the band takes the stage? To verify. Frontman Billie Joe Armstrong playing guitar behind his head and addressing the crowd with the crazed zeal of a street preacher predicting locust downpours? To verify. A 21 song set in which almost every song was a hit the crowd knew by heart? To verify.

The defining moment of the weekend when I’m not crying, you’re crying, came when the band brought in a 24-year-old woman in a Billy Idol t-shirt from the crowd to play guitar at a interpretation of Operation Ivy. Knowledge. ”Afterwards, she was able to keep the guitar, crying for joy. She was not the only one.

The best fake temper tantrum

“You took my Raiders from me, what’s the (expletive)?” Armstrong, a Bay Area native, made a fake smoke at the start of filming on Green Day. “Now, do I have to entertain you (plural version of said expletive)? “

Yes.

Yes Dad”

Telephone ringtones. Saint-Vincent picks up the receiver, which is handed to him by a woman dressed as a waitress on the Downtown Stage on Sunday evening. “How much did I lose at the roulette table today?” She repeats the pointedly asked question. “Only a big one. Should I bet my entire guarantee? Why not? She’s used to taking long-term risks and cashing in, at least in song. The singer / guitarist / master of rock art reinvents herself album after album, six times now, redefining herself as a retro funk revisionist on her most recent studio album, “Daddy’s Home”. She deviated from the jagged R&B of that album to ’80s synth pop to the swagger of stage rock in one of the best sets of the festival. On several occasions, she ended songs on her knees in a full-fledged rock god pose. It suited him.

The most caffeinated rapper of the festival

How is it for a 25-hour run: At 3 p.m. Saturday, Ekoh, a hip-hop from Vegas, performed at the Toyota Music Den, where he was joined on stage by the Blue Man Group. He then hopped on a plane for a 7 p.m. headlining show in Reno, before returning to Vegas for a 4:10 p.m. Sunday show at the Huntridge Stage. Have Red Bull, will travel.

By connecting

During the banjo-enhanced “Bukowski”, Modest Mouse percussionist Ben Massarella skillfully struck what looked like a sliced ​​log as the band requisitioned the downtown stage on Saturday, with frontman Isaac Brock’s guitar. playing as sweet as his words are often sour. In addition, he was wearing a bright red jumpsuit. Talking about that…

Mean joke alert

“I just looked at Modest Mouse, and they oldComedian Annie Lederman joked on the Comedy Kicker & More stage on Saturday night, before hinting at Brock’s aforementioned stage equipment. “You are 50 years old and you wear a jumpsuit.” Ouch.

One night, two tributes

With her voice often heavily Auto-Tuned until it is both melodic and robotic, it can sometimes be difficult to discern Young Thug’s true voice – even with her emotions. But the rapper revealed on both Sundays at the Downtown Stage on the new track “Die Slow”, where he spoke clearly about the sense of loss he has had to face in life, from family members in jail to missing out. birthday of his son on tour; the song was dedicated in part to the late rapper and friend Nipsey Hustle, who was killed in 2019. Half an hour later, on the Huntridge stage, Toronto electro rock duo Death From Above 1979 paid tribute to Norm MacDonald, with singer / drummer Sebastien Grangier reciting a hilarious / unprintable Vegas-centric track from the late comedian that revolves around, uh, paid female company. Google, when Grandma’s not in the room.

The best worst dance of the weekend

Death From Above 1979 catalyzed the wackiest dance of Life is Beautiful 2021 – we hear that as a compliment. The two hit the crowd so hard with their absurdly overloaded basslines and rock / body demolition jams that those who were there to witness it somehow … lost it, engaging in what looked like a mixture of drunken kung fu fights and muscle spasms all over the body. . When they played the very timely “Totally Wiped Out”, it was a fitting summary of what it was like to be at Life is Beautiful three days later.

Sweetest cover song

Their set had a few hiccups due to tuning issues, but Kentucky’s White Reaper made up for it with a choke from Nirvana’s “Aneurysm” on Saturday at the Huntridge stage, where they treated the song almost as wildly as Kurt Cobain did. his vocal cords on his original recording.

Did I just see this? moment of life is beautiful 2021

It was 11:25 pm Friday, and there was hay on the dance floor. Also on the Western Country Club dance floor: A shaggy-haired guy wearing leopard print tights and a Gwar tee spinning round on Vegas honky tokers, The Rhyolite Sound, who performed an unlikely but moving from Alice in Chains. “Rooster.” It was a really weird scene: a country band singing a hard rock song that a metal guy mighty like. Then again, maybe not, given the setting: at Life is Beautiful, cultures don’t clash until they merge into one. And that’s what it was all about this weekend, really.

Contact Jason Bracelin at jbracelin@reviewjournal.com or 702-383-0476. Follow @ jbracelin76 on Instagram


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Best Phoenix Shows This Week: Anti-Flag, Cold War Kids, Black Dahlia Murder https://gogogoairheart.com/best-phoenix-shows-this-week-anti-flag-cold-war-kids-black-dahlia-murder/ https://gogogoairheart.com/best-phoenix-shows-this-week-anti-flag-cold-war-kids-black-dahlia-murder/#respond Mon, 20 Sep 2021 13:00:00 +0000 https://gogogoairheart.com/best-phoenix-shows-this-week-anti-flag-cold-war-kids-black-dahlia-murder/ Click to enlarge Anti-Flag will perform on Thursday September 23 at the Rebel Lounge. Atom Splitter PR Take our advice: if you’re hoping to attend one of the notable concerts from Monday, September 20 through Thursday, September 23 – including Anti-Flag, Black Dahlia Murder, Cold War Kids – you’ll want to get your COVID-19 shot […]]]>
Click to enlarge

Anti-Flag will perform on Thursday September 23 at the Rebel Lounge.

Atom Splitter PR

Take our advice: if you’re hoping to attend one of the notable concerts from Monday, September 20 through Thursday, September 23 – including Anti-Flag, Black Dahlia Murder, Cold War Kids – you’ll want to get your COVID-19 shot or have it- test you frequently. Nearly 20 different independent music venues around Arizona will begin requiring proof of one or the other from Monday in order to attend all shows for the foreseeable future.

Considering all the big gigs that are going on over the coming weeks and months, this is a good idea.

Other highlights on this week’s concert list include ska pioneers The Skatalites, soul / jazz singer Kandace Springs, and enigmatic goth-punk band Pyg. Below are details on each of these events. For even more live music happening in the valley, check out Phoenix New Times‘Online concert calendar.

Children of the Cold War at Van Buren

Nathan Willett has made a living writing honest and heartfelt rock and roll. “I’m not a macho, a tough guy,” he admits in “Waiting For Your Love,” one of his band’s 2019 singles. A decade and a half from their debut, Cold War Kids has moved on. blues. inspired rockers to refined indie darlings, with soaring choruses and arena-ready anthems – much to the chagrin of their original fans. On tour in support of their upcoming ninth studio album, New Age Standards 3, Cold War Kids visit The Van Buren, 401 West Van Buren Street, Monday, September 20. Freelance folk singer-songwriter Gabe Goodman opens the 8-hour show. Admission is $ 30. Matthieu keever

Click to enlarge Anti-Flag punks.  - ATOM SPLITTER PR

Anti-Flag punks.

Atom Splitter PR

Anti-Flag at the Rebel Lounge

Formed in 1988 in Pittsburgh, Pa., Anti-Flag has never mince words in its denunciation of war, in general, the imperial ambitions of its home country in particular, and the usual social ills that are perpetually neglected by the ruling elite of the United States. . But Anti-Flag carries that message with an upbeat melody that doesn’t water down the message, but makes it accessible. You could argue that the band can get controversial and that undermines their impact, but there is no doubt that these guys, through the surge of their longevity and their ability to write great songs to go along with the lyrics, have changed thinking. of at least part of the American youth, and that must count for something. Their current tour will be at the Rebel Lounge, 2303 East Indian School Road on Thursday, September 23. Dog Party, Grumpster and Oxymorrons open and the concert is at 7:30 p.m. Admission is $ 20 in advance, $ 25 at the door. Tom murphy

Click to enlarge Melodic death metal band The Black Dahlia Murder will terrorize the Nile Theater in Mesa this week.  - METAL BLADE RECORDINGS

Melodic death metal band The Black Dahlia Murder will terrorize the Nile Theater in Mesa this week.

Metal blade discs

The murder of Black Dahlia at the Nile theater

Detroit’s Black Dahlia Murder burst onto the metal world’s radar in 2001 with its eye-catching demo, What a horrible night to have a curse, followed by a four-track EP, A cold-blooded epitaph, one year later. In 2003, the melodic death metal band released one hell of a debut album with Unsanctified, and its mix of death metal speed and crunch with black-metal screams was amazingly powerful. Since then, Black Dahlia has released nine different LPs, including last year’s one. Verminous. They are also a stunning live band and are currently alongside other death metal bands After the Burial, Carnifex, Rivers of Nihil and Undeath. They will unleash terror at the Nile Theater, 105 West Main Street in Mesa, starting at 6 p.m. on Wednesday, September 22. Tickets are $ 25. Phil freeman

Click to enlarge Jazz and soul singer and pianist Kandace Springs.  - MIM

Jazz and soul singer and pianist Kandace Springs.

MIM

Kandace Springs at the Musical Instrument Museum

It’s hard to imagine what the debut album from jazz singer Kandace Springs, Eyes of the soul, would have looked if Prince hadn’t intervened. The Purple One saw the moving singer cover Sam Smith’s “Stay With Me” and was wowed by her undeniable talent. He invited her to perform at his Minneapolis production complex for the 30th anniversary of Purple rain. Springs was already working with accomplished pop producers, but Prince suggested she stay true to herself. She took the advice and ran with it.

It turns out Prince was right. Released in 2016, Springs’ first Blue Note, Eyes of the soul, captures the singer’s true talent and passion for her craft. The title song (a cover of the standard Mal Waldron) chills your spine, pairing its rich and intense vocals with Terence Blanchard’s trumpet. Watch it in concert at 7 p.m. on Wednesday, September 22 at the Musical Instrument Museum, 4725 East Mayo Boulevard. Tickets are $ 38.50 to $ 49.50. Jason keil

Click to enlarge Ska Pioneers The Skatalites visit the Valley on Thursday.  - MIM

Ska Pioneers The Skatalites visit the Valley on Thursday.

MIM

Skatalites at the Musical Instrument Museum

If anything has to take you back to your high school ska phase, it will be this show at the Musical Instrument Museum, 4725 East Mayo Boulevard on Thursday, September 23, featuring the famous Jamaican band the Skatalites. Originally founded in 1964, the group was instrumental in shaping the rough-boy sound by collaborating with iconic artists including Prince Buster. Unlike many of their contemporaries of the first and second waves of ska, the Skatalites are still around to this day, having survived and endured multiple ruptures and hiatuses. Much of the band’s original lineup – they feature a four-piece brass section – remains stable on iconic tracks and hits such as “Guns of Navarone” and “Garden of Love”. The concert starts at 7:30 p.m. Tickets are $ 33.50 to $ 44.50. Chandler Levack

Click to enlarge Maluma at a concert in 2019. - MICHELE EVE SANDBERG

Maluma during a concert in 2019.

Michele Eve Sandberg

Maluma at the Footprint Center

Colombian singer / songwriter Maluma has made a name for himself since his debut in 2012. The Medellin native has released two records in the past two years, working with Jason Derulo, Marc Anthony, Ty Dolla Sign, Ricky Martin and Madonna on my way. His 2019 album, 11:11, cemented his position as a forward-thinking sex symbol with a dime a dozen talent, and his current tour in support of his latest outing, 2020’s Papi Juancho, visits the Footprint Center, 201 East Jefferson Street, on Thursday, September 23 . There is no opening act and the concert starts at 8 p.m. Tickets are $ 70.50 and $ 401.50. Matthieu keever

Click to enlarge Pyg, local goth punk musician.  - PYG FACEBOOK PAGE

Pyg, local goth punk musician.

Pyg at Yucca Tap Room

Honestly, we don’t know much about the individual known as Pyg other than that he is a local musician who wears a jet black mask resembling a swine creature and appeared on social networks earlier this year by handing out fun bites and bars. One thing we can say for sure about him is that his rock band from same name creates a strong and aggressive goth-punk and his debut album, The Dark Mirror, is out this month. They will celebrate its release on Thursday, September 23 with a free show at the Yucca Tap Room, 29 West Southern Avenue, which starts at 9 p.m. Local artists Casket Snatch, Critical Miss and Rejected Monsters will open their doors. Benjamin leatherman


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Liam Gallagher injured after falling from helicopter https://gogogoairheart.com/liam-gallagher-injured-after-falling-from-helicopter/ https://gogogoairheart.com/liam-gallagher-injured-after-falling-from-helicopter/#respond Sun, 19 Sep 2021 23:39:24 +0000 https://gogogoairheart.com/liam-gallagher-injured-after-falling-from-helicopter/ Liam Gallagher posted a picture of himself, bloodied and bandaged after allegedly falling from a helicopter. “So look at this, I fell from the helicopter last night”, the rocker from Oasis tweeted, joking that “you couldn’t rite [sic] this. “Gallagher further stated that he was” everything is fine “despite the crash.” Who said RnR was […]]]>

Liam Gallagher posted a picture of himself, bloodied and bandaged after allegedly falling from a helicopter.

“So look at this, I fell from the helicopter last night”, the rocker from Oasis tweeted, joking that “you couldn’t rite [sic] this. “Gallagher further stated that he was” everything is fine “despite the crash.” Who said RnR was dead, Keith Moon eat your drumbeat. “

TMZ reports that the crash took place following Gallager’s performance at the Isle of Wight festival. Despite his injuries, the musician appeared to be in his usual state of mind, engaging in heated exchanges with fans on Twitter.

When one follower suggested that Gallagher had simply missed a step and “face down” when exiting the helicopter, the rocker responded that the fall was actually “100 thousand feet you bumbaclart.” Gallagher also suggested that images from the incident would be used in his upcoming music video, while the image of his bandaged face could grace his upcoming album cover.

Gallagher’s next show is scheduled for September 24 in Belfast, Northern Ireland. The rocker’s most recent studio album, Why me? Why not., was released in 2019. In November 2020, he released a single titled “All You’re Dreaming Of” to raise money for charity.

Meanwhile, the new new documentary Oasis, Oasis Knebworth 1996, premiering in theaters around the world on September 23. The film chronicles two sold-out shows during which the group performed in front of more than 250,000 people. “Oasis Knebworth 1996 is the story of this weekend and the special relationship between Oasis and their fans that made it possible, ”the film explains. official site.

Top 100 rock albums of the 90s

Any discussion of the Top 100 Rock Albums of the ’90s will have to include some grunge, and this one is no different.



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Cuban heels. Work our way to the sky. Billy Sloan’s best Scottish albums https://gogogoairheart.com/cuban-heels-work-our-way-to-the-sky-billy-sloans-best-scottish-albums/ https://gogogoairheart.com/cuban-heels-work-our-way-to-the-sky-billy-sloans-best-scottish-albums/#respond Sun, 19 Sep 2021 10:00:03 +0000 https://gogogoairheart.com/cuban-heels-work-our-way-to-the-sky-billy-sloans-best-scottish-albums/ Cuban heels. Work our way to the sky. Released – 1981. DID Richard Branson have a death wish? I’m asking the question simply because the sight of the millionaire entrepreneur hanging on for life as he waved a flag pole, above the streets of Glasgow, was a moment of cardiac arrest. But Branson was never […]]]>

Cuban heels. Work our way to the sky. Released – 1981.

DID Richard Branson have a death wish? I’m asking the question simply because the sight of the millionaire entrepreneur hanging on for life as he waved a flag pole, above the streets of Glasgow, was a moment of cardiac arrest.

But Branson was never familiar with the term “camera shy”. And as his antics to start a new Scottish record company were making headlines, he would undoubtedly say, ‘The job is done’.

Ali MacKenzie, drummer for The Cuban Heels, also remembers the 1981 incident.

“We signed the Cuba Libre deal with a party at the Virgin Megastore on Union Street,” he said.

“Branson and his right-hand man, Simon Draper, came from London for the event and we played a short set in the shop for a few hundred guests.

“My mother came to the concert. It’s the one and only time she’s seen the band live. But my lasting memory is of Branson hanging on that pole trying to hoist the Virgin’s flag. It was scary stuff.

Branson had good reason to be enthusiastic. MacKenzie had negotiated a deal to release a series of records by Scottish artists on his independent label, Cuba Libre, under the aegis of Virgin.

“The Cuban Heels had been trying to bite a major label for the past 12 months,” he recalls.

“We had aroused the interest of Phonogram, United Artists and Chrysalis. But that was at the stage where the majors were saying, “What’s in here is good, but not good enough.” We need to hear more songs and a few single-sounding hits would be nice too ”.

“When I heard 10 different record companies say the same thing, I was thinking… shit, wouldn’t it be that easy to do it on our own?

“In the post-punk era, a lot of bands released their own records.

“Previously it seemed very intimidating. Not only did it take time, it was also financially risky.

“But once the process was over, it didn’t seem so terrifying after all. And, most importantly, we really believed in our music. We wanted to get him out. ”

The band was formed by guitarist Laurie Cuffe – along with bassist Paul Armor and drummer Davie Duncan – in Greenock in 1977. Their first gig was at a friend’s birthday party.

“It was all skinny ties, secondhand suits and trying to look like The Jam,” Laurie said.

“It was very exciting. You kinda felt like you were part of this new thing that was happening. I had grown up in the Rolling Stones, the Beatles and was lucky my brothers had old chess singles of Chuck Berry and Howlin ‘Wolf.

“I also loved Dr. Feelgood, so Wilko Johnson was a huge influence. I had to have a Fender Telecaster like hers. I still have it.

“It was a pure light bulb moment when John Peel played New Rose from The Damned. I was dazzled. ”

But Cuffe had no ambition to be the focal point of the group.

“I wasn’t too enthusiastic about it. I never wanted to be a leader. I liked the Keith Richards vibe more, ”he admitted.

Singer John Milarky was recruited to complete the training. He had been a member of Johnny And The Self Abusers, a Glasgow punk band whose early concerts at Doune Castle had fans lining up around the block.

But they broke up the day their first single Saints And Sinners was released on Chiswick Records in 1977.

Abusers frontman Jim Kerr and guitarist Charlie Burchill formed Simple Minds.

“I was writing punk-like songs inspired by The Damned, The Count Bishops, Hammersmith Gorillas and those Chiswick-style bands,” Laurie revealed.

“We were rehearsing in the basement of a place called The Mad Buyer in London Road, whose logo was a burglar with a bag on his back.

“But everything that happened later with Postcard Records – with Orange Juice and Josef K – seemed a bit too pointless to us.

“And I think these people saw us as too rocky. But I wore this badge very proudly.

In 1978, they released their first single Downtown, a cover of Petula Clark’s hit, on the Edinburgh label, Housewives Choice.

Several months later, Duncan and Armor leave to be replaced by MacKenzie and Nick Clark.

They performed at Marquee, The Hope And Anchor and Dingwalls in London, earning positive reviews in music journals.

They also supported The Stranglers, The Jam and Graham Parker And The Rumor.

But with no major recording contract on the immediate horizon, it was time to take the plunge and go it alone.

Mackenzie secured a bank loan of £ 1,500 to help finance the first two versions of Cuba Libre.

The Heels recorded the single Walk On The Water at CaVa Studios.

At the nearby Hellfire Club, he produces Reeferbilly Boogie, from The Shakin ‘Pyramids, formed by Davie Duncan. It was voted single of the week in NME.

“I also recorded a full album called Skin ‘Em Up in just 50 hours,” Ali revealed.

“The Pyramids had a more acoustic sound, so we could knock out the songs pretty quickly. This was done for a very low price.

In 1980, the group performed at the Loch Lomond Festival, alongside The Jam, Stiff Little Fingers and The Tourists, with Annie Lennox.

Now, with a physical product in his hands, MacKenzie has once again toured the London majors. Virgin was the first to bite. Branson personally authorized the transaction.

The Heels started recording their debut album at Townhouse Studio in London and Manor in Oxfordshire… first with producer John Leckie, then with Nick Launay.

“It was fantastic working with John. But the whole process seemed a little unreal, ”Laurie said.

“I had written songs that I guess were always a bit political… but with a very small p.

“They were very often written by a young man. I would do things differently now.

Suddenly the group was in high demand.

“We never seemed to have a problem recruiting the best producers. Todd Rundgren was a suggested name, ”Ali recalled.

“Over the next few months we recorded various songs with Mick Glossop and Steve Hillage, but most of the album was performed by the wonderful John Leckie.

“It was an exciting opportunity for us and a great learning experience.”

But Cuffe, the main songwriting force, never felt completely relaxed in such a foreign setting.

“It all felt a bit unreal to me and totally devoid of what we came from in Greenock in the ’70s and’ 80s,” he said.

“We had done a few John Peel sessions already and I enjoyed them more than doing the album. “They were so fast, almost like a cross between recording and live.”

“But it was a great experience to make our first album. Do not mistake yourself. I’m glad I was there. ”

Work Our Way To Heaven was released in October 1981, flanked by the singles Sweet Charity – a non-album track – plus Walk On Water and My Colors Fly.

But the growing problems with their London-based management turned out to be a grueling experience.

“It didn’t help at all. They demoralized us, ”recalls Ali.

Even so, Cuffe has fond memories of this period.

“Listening to the album now, I think you still want more. Something different or even better, ”he said.

“We had worked with different producers so I don’t know if the record sounded totally uniform.

“But I don’t want to sound like I’m bitching about it.” I’m not. I was totally proud of it then and still am.

“Until recently, I didn’t even have a copy of the album. My partner bought it – and all the old singles – online. I was happy to see them again.

“They sounded good. It took me all these years to realize that we had made a great record. When you are young you are a bit tortured and insecure. But it’s a good thing that you always wanted to do better.

“I would have loved to make a second album. We had songs that came later that were fantastic. But we never had the chance to do them as The Cuban Heels.

* THE Billy Sloan Show airs on BBC Radio Scotland every Saturday at 10 p.m.

ALI MacKenzie will never forget the night the Cuban Heels played the legendary Glasgow Apollo … just three hours’ notice.

In 1978, he and Cuban Heels frontman John Milarky snuck into the room as the Stranglers performed sound checks.

“We cornered bassist JJ Burnel and asked if we could play with them. He said: ‘If you want support, you can have it,’ ”Ali recalled.

“We had to rely on the Hellfire Club, grab our gear and three hours later we were playing in front of over 2,000 people.

“I had seen Roxy Music, The Who, The Moody Blues, Dr. Feelgood and The Clash there. I even went to see Barclay James Harvest and Wishbone Ash – bands I didn’t like – just to be a part of a live concert. So it was a huge honor to play the Apollo. To be on this famous stage was just outrageous.

MacKenzie put his heart and soul into Cuba Libre.

He has released records from The Shakin ‘Pyramids, James King and the Lone Wolves, and former Zone frontman Willie Gardiner.

His pragmatic approach was a rarity in the music industry.

“I was young, blunt, blunt, stupid, rude and I’m sure I fuck people,” he admitted.

“But I think my heart was – and still is – in the right place. I loved the music. It was something that fascinated me. How could you not be? ”

The group was abandoned by Virgin in 1982 and split up. But was it too early?

“Listening to it now, I still think it’s a good album. There was almost an overabundance of good ideas out there, ”he said.

“We just didn’t have a sound of our own yet. But we were exploring musically.

“The songs we did after the deal with Virgin were great. We approached labels like Beggar’s Banquet, which could have suited us better. “Unlike a major who wanted immediate success.

“Maybe we should have persevered. One evening, during a concert at Tiffany’s, we had a little confab and we agreed… it doesn’t work, does it?

“I think each of us was in the same space. There were no real disagreements or arguments. We had had our chance.

Guitarist Laurie Cuffe agrees. He said:

“It was sad. But we’re still good friends. It’s almost like we had a war experience together. And we did… punk rock wars.


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Upcoming pop-punk group Gold Souls released their latest single “Know Your Kind” https://gogogoairheart.com/upcoming-pop-punk-group-gold-souls-released-their-latest-single-know-your-kind/ https://gogogoairheart.com/upcoming-pop-punk-group-gold-souls-released-their-latest-single-know-your-kind/#respond Sat, 18 Sep 2021 20:25:04 +0000 https://gogogoairheart.com/upcoming-pop-punk-group-gold-souls-released-their-latest-single-know-your-kind/ Join an ecstatic musical journey with Golden souls and his last musical performance ‘Know your gender’. It’s a three-piece pop-punk group that deploys its creativity. Lightning guitar chords and energetic vocal skills came together in the final track ‘Know your gender‘ speak Golden souls. The track masterfully produces a pop-punk flavor that is filled with […]]]>

Join an ecstatic musical journey with Golden souls and his last musical performance ‘Know your gender’. It’s a three-piece pop-punk group that deploys its creativity.

Lightning guitar chords and energetic vocal skills came together in the final track ‘Know your gender speak Golden souls. The track masterfully produces a pop-punk flavor that is filled with multiple moments of rough, heavy and intense rhythmic grooves. The musical arrangement of the track instantly injects a heavy dose of punk music among the listeners as the singer captivates them with his catchy vocal skills. Sufficient amount of rasp and melody sounds is motivating enough for all kinds of listeners all over the world. The subject of the song is based on non-supportive relationships that bring a heartwarming essence while being distant. The single is quite intriguing and engaging and envelops everyone with its originality.

The Golden souls was formed by three talented minds namely Dré, Ry and Danny Goldfarb. Dré and Ry are brothers who have been playing with Danny since 2014 and now they’ve grown into a punk band in their own right. Dré mesmerizes everyone with his vocal skills while Ry takes care of the drums and Danny of the guitar. Years of experience and their united efforts to create music are the reasons for their amazing compositions. To listen to other amazing songs like ‘Know your gender ‘, follow this group on Spotify, Instagram and Distrokid.

Check out the song on Spotify:

https://open.spotify.com/track/3trrulxNgaboiJ4t6d34ce


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