Punk Band – Go Go Go Airheart http://gogogoairheart.com/ Sun, 09 Jan 2022 02:23:09 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://gogogoairheart.com/wp-content/uploads/2021/06/icon-150x150.png Punk Band – Go Go Go Airheart http://gogogoairheart.com/ 32 32 Listen to Billy Talent’s short but fiery new single “Judged” https://gogogoairheart.com/listen-to-billy-talents-short-but-fiery-new-single-judged/ Sat, 08 Jan 2022 22:49:24 +0000 https://gogogoairheart.com/listen-to-billy-talents-short-but-fiery-new-single-judged/ Billy Talent has released a fiery new single titled “Judged” – you can listen to it below. The erratic pop-punk track – which lasts just over a minute and a half – is taken from the sixth studio album by Canadian band “Crisis Of Faith”, which is scheduled to arrive Jan. 21 via Spinefarm Records. […]]]>

Billy Talent has released a fiery new single titled “Judged” – you can listen to it below.

The erratic pop-punk track – which lasts just over a minute and a half – is taken from the sixth studio album by Canadian band “Crisis Of Faith”, which is scheduled to arrive Jan. 21 via Spinefarm Records.

Fuckin ‘asshole with that old world plan”, Leader Ben Kowalewicz leads the way, going straight to the jugular of an unnamed individual, possibly a politician. “I swear to you one day we’ll be rid of your Klan / Your hateful rhetoric is so reckless / Why can’t you see what it’s like to be. “

When the runway broke down, he added: “I’m just trying to open / The doors you close! / Your logic is so broken / And disconnected! / You think we don’t matter? / Well, we won’t give up! / Because everything will be shattered / The day you were.

Check out “judge” below:

‘Crisis Of Faith’ will also feature the group’s recent collaboration with Weezer’s Rivers Cuomo, ‘End Of Me’, as well as the singles’ Reckless Paradise ‘,’ I Beg to Differ (This Will Get Better) ‘, and’ Forgiveness I. + II ‘.

The 2016 sequel to “Afraid Of Heights” was produced by guitarist Ian D’Sa and recorded at Billy Talent’s Toronto studio. You can see the full list of songs below.

“Crisis of faith”

1. Pardon I + II
2. Reckless Paradise
3. I beg to defer (it will be better)
4. The wolf
5. Reactor
6. Judged
7. Hang out with all the wrong people
8. End of Me (feat. Rivers Cuomo)
9. One less problem
10. For you

Billy Talent is set to return to the UK for three shows in May, following several North American shows with Pup and Rise Against in February and April. You can see the dates below and get tickets here.

MAY 2022
29 – Wolverhampton, KKs steelworks
30 – Liverpool, O2 Academy Liverpool
31 – London, O2 Academy Islington

Meanwhile, Rivers Cuomo reflected on Weezer’s debut album, saying he believed the band would be “the next Nirvana.”

After forming in 1992, Weezer released his self-titled debut album – dubbed “The Blue Album” – in May 1994, a month after Kurt Cobain’s death and the disbandment of grunge heroes Nirvana.

Talk to Rolling stone for their The 500 best Rolling Stone albums podcast, Cuomo and his band mates discussed the writing and recording of the album, and how they thought it would be viewed after its release.


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Machine Gun Kelly is the rock fashion image for a recording session with Travis Barker https://gogogoairheart.com/machine-gun-kelly-is-the-rock-fashion-image-for-a-recording-session-with-travis-barker/ Wed, 05 Jan 2022 06:01:18 +0000 https://gogogoairheart.com/machine-gun-kelly-is-the-rock-fashion-image-for-a-recording-session-with-travis-barker/ Machine Gun Kelly is the rock fashion image in skinny jeans and leather jacket for a recording session with Travis Barker … after announcing plans to release two albums in 2022 By Kevin Kayhart For Dailymail.com Posted: 01:01 EST, January 5, 2022 | Update: 01:01 EST, January 5, 2022 Machine Gun Kelly gave his fans […]]]>

Machine Gun Kelly is the rock fashion image in skinny jeans and leather jacket for a recording session with Travis Barker … after announcing plans to release two albums in 2022










Machine Gun Kelly gave his fans some great news in the New Year when he announced that he would be releasing two new studio albums in 2022.

And on Tuesday, just four days into the New Year, the Wild Boy star was spotted heading into the studio for another session with collaborator and producer Travis Barker.

The duo had previously announced their collaboration on MGK’s upcoming album, Born With Horns, before the rocker took to Twitter on Sunday to reveal that they were planning to release a second studio album in 2022.

Back to work: Machine Gun Kelly, 31, arrived at a recording studio for another session with collaborator and producer Travis Barker on Tuesday in Calabasas

MGK (born Colson Baker), 31, was the image of rock fashion when he arrived at the studio in black skinny jeans, with an inscription on the back of each calf leg and a matching hoodie.

He covered himself in a black leather jacket with black and white stripes down both arms

The Houston, Texas native also donned a pair of black sneakers and wore a baseball cap over his platinum blonde dyed locks.

During the day, Kelly was seen walking out of the studio, carrying her phone, water, coffee, and a book in her hand.

Rock fashion: MGK (born Colson Baker) wore a black leather jacket, which had black and white stripes down each arm, with a matching hoodie and skinny jeans

Rock fashion: MGK (born Colson Baker) wore a black leather jacket, which had black and white stripes down each arm, with a matching hoodie and skinny jeans

On the move: the rocker juggled his phone, his water and his coffee when he left the studio to join his parked black SUV

On the move: the rocker juggled his phone, his water and his coffee when he left the studio to join his parked black SUV

Right before the New Year became official, the Forget Me Too star took to Twitter to cut down all the chatter about releasing a surprise album.

“I know the rumor was that I was releasing the album on New Years Eve … but see you in 2022,” he tweeted.

But then came the big news fans weren’t expecting: “Two albums this year,” he shared in a tweet on Sunday afternoon, Jan. 2.

So far, there is no official word on when Born With Horns, its sixth studio album, or the unexpected follow-up, will be released in 2022, although MGK has described the new songs as “heavier on guitar.” and “deeper” in terms of lyrics, according to NME.

No!  MGK cut down all the gossip about surprise New Years Eve album release

No! MGK cut down all the gossip about surprise New Years Eve album release

Surprise!  MGK surprised fans by announcing plans to release two albums in 2022

Surprise! MGK surprised fans by announcing plans to release two albums in 2022

Duo: Kelly collaborates with Travis Barker on the upcoming album Born With Horns.  The duo were so excited about their work that they got the album title tattooed on their arms.

Duo: Kelly collaborates with Travis Barker on the upcoming album Born With Horns. The duo were so excited about their work that they got the album title tattooed on their arms.

Barker, who is the drummer for pop-punk band Blink-182, first collaborated with Kelly on their latest album, Tickets To My Downfall (2020), which was a commercial success.

Kourtney Kardashian’s fiance was both co-writing partner and producer on most of the songs.

With all three singles: Bloody Valentine, Concert For Aliens and My Ex’s Best Friend, Tickets To My Downfall debuted atop the Billboard 200 after its release in September 2020.

The album received Platinum certification in the United States RIAA after one year with 1 million units sold.

Top of the table: First MGK-Barker pairing saw Tickets To My Downfall (2020) debut atop the U.S. Billboard 200 in September 2020

Top of the table: First MGK-Barker pairing saw Tickets To My Downfall (2020) debut atop the U.S. Billboard 200 in September 2020

Bandmates: The MGK-Barker couple were also part of MGK's live shows

Bandmates: The MGK-Barker couple were also part of MGK’s live shows

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Vintage live performance videos from Fugazi, Government Issue, Dag Nasty and more revealed https://gogogoairheart.com/vintage-live-performance-videos-from-fugazi-government-issue-dag-nasty-and-more-revealed/ Mon, 03 Jan 2022 04:52:56 +0000 https://gogogoairheart.com/vintage-live-performance-videos-from-fugazi-government-issue-dag-nasty-and-more-revealed/ Audrey herold January 2, 2022 – 8:52 PM Sohrab Habibion ​​is known for his indie rock band, SAVAK. His current group includes members of The Nation of Ulysses, Silent Majority and Enon. Other groups he’s been in include Edsel and Obits. He’s been in the punk and rock scene for years. As a youth he […]]]>

Vintage live performance videos from Fugazi, Government Issue, Dag Nasty and more revealed

Sohrab Habibion ​​is known for his indie rock band, SAVAK. His current group includes members of The Nation of Ulysses, Silent Majority and Enon. Other groups he’s been in include Edsel and Obits. He’s been in the punk and rock scene for years. As a youth he attended dozens of punk and hardcore shows in the DC area, he even captured many groups in video.

With help from Roswell Films and the Punk Archives at the DC Public Library, many videos he shot in the ’80s and’ 90s have also been released and digitized. They are now available to watch on Youtube. The groups that Habibion ​​managed to capture are: Fugazi (since 1987), Dag Nasty, Government Issue, Moss Icon, Shudder To Think, Scream, 7Seconds, Descendents, Marginal Man, Gray Matter, One Last Wish, Soul Side, Half Japanese, Fire Party, DOA, Saccharine Trust, Doughboys, GWAR, Gang Green, Jerry’s Kids, The Lemonheads, and more!

When the videos came out, here’s what Habibion ​​had to say,

“I filmed about sixty groups between 1985 and 1988 … Don’t forget that I was a teenager when I shot these shows and that I had no control over the equipment … get here is what was recorded on my Betamax and probably best enjoyed with a little generosity as a viewer.

Don’t forget to also check out Habibion’s group, SAVAK’s album, 2020, Rotten teeth in the mouths of horses. Videos of groups captured by Habibion ​​will be featured below.


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Former HANOI ROCKS bassist SAMI YAFFA – “RAZZLE’s death was the straw that broke the camel’s back” https://gogogoairheart.com/former-hanoi-rocks-bassist-sami-yaffa-razzles-death-was-the-straw-that-broke-the-camels-back/ Thu, 30 Dec 2021 22:01:46 +0000 https://gogogoairheart.com/former-hanoi-rocks-bassist-sami-yaffa-razzles-death-was-the-straw-that-broke-the-camels-back/ Guest on Waste Some Time With Jason Green, former Hanoi Rocks / New York Dolls bassist Sami Yaffa spoke about his career history, Hanoi Rocks, and his new solo album. Yaffa recalled their first tour of the United States and that he and drummer Razzle were planning to leave the band before Razzle’s untimely death. […]]]>

Guest on Waste Some Time With Jason Green, former Hanoi Rocks / New York Dolls bassist Sami Yaffa spoke about his career history, Hanoi Rocks, and his new solo album.

Yaffa recalled their first tour of the United States and that he and drummer Razzle were planning to leave the band before Razzle’s untimely death.

Sami Yaffa, best known for his work with the New York Dolls, Michael Monroe Band and Hanoi Rocks, released his first solo album, The Innermost Journey To Your Outermost Mind, on September 22, 2021 via Livewire / Cargo Records.

Yaffa recently released “The Last Time”, the first single from the album.

“’The Last Time’ is one of the first songs I wrote for this album while I was still living in Brooklyn NY in 2015. It’s the story of two people whose communication is blocked. it’s hard to change your habits no matter how badly you want to. It’s all about the frustration and distress of addiction “- Sami Yaffa

Sami Yaffa has had a unique career as a musician. He joined the punk band Pelle Miljoona Oy at the age of 16 and performed on the now legendary album of the band Moottoritie On Kuuma. Pelle Miljoona Oy was the number one band in Finland at the time, but Yaffa and his future cohorts aimed higher: as the original member of the Hanoi Rocks group, he spent the first half of the 80s as a rock musician. international with all its ups, downs and pitfalls. The group influenced many groups that would later go on to become huge in the rock n ‘roll world – including Guns N’ Roses.

After the breakup of Hanoi Rocks, Yaffa was invited to join some of the most notable artists in R’n’R history such as Joan Jett And The Blackhearts 2002-04, as well as one of the major influences of Hanoi Rocks, the Dolls of New York 2004-10. In 2009, he founded a group with Hanoi Rocks singer Michael Monroe. This collaboration continues to this day, but now Yaffa also releases music under his own name.

“The idea for the solo album started to take shape a few years ago. Previously I had written music for the New York Dolls and the Michael Monroe Band, but now some of the songs I wrote and wrote were starting to sound more and more like my own stuff instead of this. that I would write for these groups. “

What kind of music did Yaffa release under his own name? Versatile. “I’ve always liked bands like The Clash and Rolling Stones. They could write country, funk, reggae, rock ‘n’ roll or jazz without fear and make it their own. I wanted to have that same kind of versatility and freedom for my own record.

The album has broad influences, but this is hardly surprising to those who have followed Yaffa’s career: in addition to his own musical career, he has come to know the musical traditions of different parts of the world as a host and co-creator of the television series Sami Yaffa: Sound Tracker. “However, my roots run deep in punk and rock’n’roll. I’m not afraid of it.

Even though this is a solo album, Sami has always been a member of bands and because of that, a team player. Yaffa mentions a few names without which the record would not have come to fruition – at least as it ended up being. The first to mention is a childhood friend, drummer Janne Haavisto with whom Sami made his first forays into the music world. Sami and Janne created the basic tracks together and invited precious friends and musicians to collaborate on the album. Rich Jones, guitarist of the band Michael Monroe helped put together a lot of songs on the lyric level, Christian Martucci of the band Stone Sour played guitar on half of the album, the other half was played by another old friend Rane from cult band Smack and Sami’s old brother from Hanoi days, Timo Kaltio.

Produced by Sam Yaffa. Mixed by Erno Laitinen. Mastered by Pauli Saastamoinen at Finnvox Studios. Recorded by Erno Laitinen / Sam Yaffa / Janne Haavisto / Jose “Puter” Puigserve.

Align:

Sami Yaffa – Vocals, Bass (Hanoi Rocks, Michael Monroe, New York Dolls)
Rich Jones – Guitars (Michael Monroe Band)
Christian Martucci – Guitars (Stone Sour)
Rane Raitsikka – Guitars (Smack)
Timo Kaltio – Guitars (Izzy Stradlin, Cheap And Nasty)
Janne Haavisto – Drums


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“there is no more toothpaste in the tube” https://gogogoairheart.com/there-is-no-more-toothpaste-in-the-tube/ Tue, 28 Dec 2021 21:32:56 +0000 https://gogogoairheart.com/there-is-no-more-toothpaste-in-the-tube/ Although he remains a prominent member of the music community, Henry Rollins quit recording music a long time ago. Here’s why. When Henry Rollins appeared on Rick Rubin’s premier podcast Scrached disk, he discussed a lot of things. Always the honest talker, the former frontman of Black Flag spoke about exactly why his music-writing days […]]]>

Although he remains a prominent member of the music community, Henry Rollins quit recording music a long time ago. Here’s why.

When Henry Rollins appeared on Rick Rubin’s premier podcast Scrached disk, he discussed a lot of things. Always the honest talker, the former frontman of Black Flag spoke about exactly why his music-writing days came to an end.

Speaking to Rubin, he said: “The smart thing I did when I was younger was one day I woke up in my bed and I thought, ‘I’m done with the music. I don’t hate him. I have no more words. There is no more toothpaste in the tube.

Rollins became known as the leader of State of Alert and then Black Flag, two very important groups from the early days of punk rock. He would later record spoken word records and more solo music, as well as albums with the Rollins Band.

He continued:

Fortunately, I’ve had enough movies, voiceovers, documentary work, writing, conversation, where that just filled in, and now I’m busier than ever. But I left before I had to start saying, “Hey kids, do you remember this one? “

“So I didn’t have to put it on and go up there and put the dog on and yelp for my dinner.” “

In elaborating, Rollins said he often compared himself to other “big rock stars” who still tour. Without necessarily ruling out their choices, Rollins said he never considered the “what people want” road, instead of following his heart on the projects he wanted to pursue.

He said that if his fans “I like what I do, cool. If they don’t, they can bite me.

Although he no longer struggles in front of groups, Rollins is far from having left the scene. As he mentions, Rollins has grown into an accomplished actor and voice actor, writer, orator, and among it all, he remains hosts a weekly radio show on KCRW.

Read the Happy Mag 2018 interview with Henry Rollins here.



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Dropkick Murphys Launches Powerful New Video For “Good As Gold” https://gogogoairheart.com/dropkick-murphys-launches-powerful-new-video-for-good-as-gold/ Sat, 25 Dec 2021 16:36:30 +0000 https://gogogoairheart.com/dropkick-murphys-launches-powerful-new-video-for-good-as-gold/ Aswath Viswanathan December 25, 2021 – 8:36 AM Boston Celtic punk band Dropkick Murphys have released an energetic new video for their song “Good As Gold”. The song is from their album Mount that dial. The video was directed by Dave Stauble of Punchdance Studios and features a performance by Dropkick Murphys up close and […]]]>

Dropkick Murphys launches energetic new video for

Boston Celtic punk band Dropkick Murphys have released an energetic new video for their song “Good As Gold”. The song is from their album Mount that dial. The video was directed by Dave Stauble of Punchdance Studios and features a performance by Dropkick Murphys up close and personal.

Co-singer Ken Casey said: “‘Good As Gold’ celebrates the music that shaped the band. These are the precious vinyl albums we all listen to, collect and cherish – and the video shows how this music connects fans across generations. This is about the important role that music has played in our lives. The outside world can go on. Boom, you put on your headphones, drop the needle, and nothing else matters. It’s about the hope I got from the music, all the inspiration, and how it helped me take out my frustrations. “

“Good As Gold” is a very rhythmic song, with a strong and anthemic guitar. In the video, the group stands around a little boy listening to Dropkick Murphys on his record player. They all go crazy when they see the boy enjoying the song.

This year, from August to October, The Dropkick Murphys are on tour with Rance. The tour was called Boston to Berkeley II. Their first tour from Boston to Berkeley, which was in 2017, included stops in Boston and Berkeley. This time, punk veterans haven’t literally traveled from Boston to Berkeley, as neither location is planned. However, they made stops all over the United States.

Photo credit: Boston Lynn Schulz


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Tid the Season ’21 EVERY TIME I DIE, Buffalo Riverworks, Buffalo, NY 12.10.21 DAY 1 https://gogogoairheart.com/tid-the-season-21-every-time-i-die-buffalo-riverworks-buffalo-ny-12-10-21-day-1/ Tue, 21 Dec 2021 19:06:18 +0000 https://gogogoairheart.com/tid-the-season-21-every-time-i-die-buffalo-riverworks-buffalo-ny-12-10-21-day-1/ TID SEASON ’21EVERY TIME I DIEBuffalo River WorksBuffalo, New York12.10.21 DAY 1 REVIEW AND PHOTOGRAPHS BY NATHAN KATSIAFICA It’s holiday show season, and we have perhaps caught the biggest and heaviest this year on Buffalo’s annual two-day Every Time I Die show, Tid the Season, also known to most fans. more die-hard ETID (aka Etidiots) […]]]>

TID SEASON ’21
EVERY TIME I DIE
Buffalo River Works
Buffalo, New York
12.10.21 DAY 1

REVIEW AND PHOTOGRAPHS BY NATHAN KATSIAFICA

It’s holiday show season, and we have perhaps caught the biggest and heaviest this year on Buffalo’s annual two-day Every Time I Die show, Tid the Season, also known to most fans. more die-hard ETID (aka Etidiots) under the name “Shitmas.” Held in a converted grain mill turned into a Buffalo Riverworks venue, this year’s lineup for the December 10-11 shows was absolutely filled with a variety of acts spanning several different genres, from hardcore acts like END and Knocked Loose. , to Circa Survive post-hardcore act, OG Ice T hip-hop, and more, there was something for everyone to love!

The place itself was decorated with Christmas lights, with Every Time I Die’s “I” logo illuminated in green and red. In honor of the occasion, local brewery Thin Man released a lager So we go to war! nominated for a line in the band “All This And War” track of their last outing Radical. Additionally, local artisan Oxford Pennant had set up a booth stocked with Every Time I Die badges and on-site seamstresses sewed them onto fan clothing while they waited. Truly, it was an Etidiot’s paradise.


TID THE SEASON – DAY 1

Tid the Season’s first night kicked off in the afternoon of Friday with a long line of eager fans ready to enter. The night’s festivities started off with a bang, with a performance by the punk duo ’68. Guitarist and singer Josh Scogin warned the audience that things were about to get noisy as he launched into their set, telling them, “Cover your ears and hold your butt!”

’68 is a band that translates much better live than on recordings. Scogin and his bandmate (drummer) Nikko Yamada, although both very talented musically, are absolutely bonkers live, with Scogin sneaking and stomping on the stage, and Yamada playing more or less the real life Animal of the Muppets. It was performance art, not just music, and the crowd ate every minute of it.


After that opening salute, the barrage of high octane performance continued as hardcore Texan actor Kublai Khan emerged to trigger a punishing set. The band’s music, reminiscent of metallic hardcore from the 90s, got the crowd moving and opened the first mosh pits of the night with one of the most hilarious mosh calls, which is probably not worthy of being. published here! If you haven’t seen them live yet, you can catch Kublai Khan on tour with Knocked Loose next spring.


Things then went from heavy to strange reprieve. Definitely the odd band that night, Mariachi El Bronx gave a set not of punk rock like many of the same musicians would the following night (playing as The Bronx), but of mariachi music. Seeing frontman Matt Caughthran hum instead of jumping around the stage was shocking, but it was a great set of live music, even if it was a complete change of pace.


Unfortunately, due to a positive last-minute Covid test, Poison the Well announced that they were dropping programming the day before. Instead, fans were treated to Buried Alive, the hardcore band from Buffalo 90, with none other than Scott Vogel of Terror on vocals. After reforming in 2020, it was the biggest show of the group, performing to a sold-out hall with some 5,000 people in attendance, and they were amazing! Vogel and his band mates were so impeccably tight, it’s no wonder the members of Every Time I Die were so fond of it. My only complaint is that I wish the whole thing was longer!


Circa Survive came on for the last support set of the night. Frontman Anthony Green was on hand as the band exploded through a 10-song set that contained a bit of everything in terms of discography, “Imposter Syndrome” and “Drift” from their latest release, A dream of love, to “Stop the Fu * king Car” and “The Difference Between Medicine and Poison Is the Dose,” from their first two feature films, to name a few. There were definitely some Circa Survive fans in attendance, judging by the volume of crowd participation, be it chanting or crowd surfing, especially for the closer ‘Get Out’ set of years. 2010. Blue sky noise.


A curtain fell with a roaring fireplace projected over it, and the change of scene for Every Time I Die began, out of sight. The mood in the venue was electric as fans eagerly awaited the first of the group’s two headlining sets which would take place by Sunday morning. Finally, with the opening notes and the opening line – echoed by a thousand or more voices – “Spare only those I love, kill the others!” ” from Radical the opening of the album “Dark Distance” sounded, the curtain fell and all hell broke loose.

If you haven’t seen a hometown show from Every Time I Die, it’s even more energetic than normal (which is already a high bar). Considering that this crowd was made up entirely of Every Time I Die devotees, you can see why the words fail to convey the pure passion that ricochets between the band and the audience, multiplying a hundredfold throughout the night. If there was any friction between the band members, as recent public tweets have suggested, it was not apparent at any time that night or the next. As the band made their way through a 26-song set, they only paused briefly to smile and at times gawk at the intensity with which the crowd sang their lyrics to them, surfing the crowd and moshing. Guitarist Jordan Buckley was in his usual form, leaping and struggling on the stage as he and fellow guitarist Andy Williams strummed a cacophony of delicious dissonance.

In the past I’d seen some great performances from the band, especially frontman Keith Buckley, but it sounded perfect tonight, whether on more recent tracks like “Post-Boredom”, “The Whip” and ” Planet Shit “. or fan favorites like “The Coin Has a Say”, “Floater”, “Ebolarama” and “We’rewolf”. The deeper cuts would come tomorrow, because Friday night was a night for the hits. As they had done for their series of tour dates before that, Every Time I Die was joined by Scogin, resuming their guest spot on Radical “All That and the War” track. The night’s festivities at Riverworks ended with this, but continued with many dives in downtown Buffalo until the wee hours of the morning.


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Orange County band Julie combines rock art and grunge https://gogogoairheart.com/orange-county-band-julie-combines-rock-art-and-grunge/ Mon, 20 Dec 2021 05:13:51 +0000 https://gogogoairheart.com/orange-county-band-julie-combines-rock-art-and-grunge/ By Simone Goldstone | Columnist NB Indy Soundcheck Three dark haired heads point to the bright screen. The humble children of Orange County, barely out of their teens, form the burgeoning group called Julie. On Zoom, Keyan Zand, Dillon Lee and Alex Brady discuss their success with signature sardonic humor and a melancholy conviction to […]]]>

By Simone Goldstone | Columnist NB Indy Soundcheck

Three dark haired heads point to the bright screen. The humble children of Orange County, barely out of their teens, form the burgeoning group called Julie.

On Zoom, Keyan Zand, Dillon Lee and Alex Brady discuss their success with signature sardonic humor and a melancholy conviction to bring their ambitious plans to fruition.

Julie is an artistic mix of shoegaze, rock art and grunge. The band uses complex song structures and layered guitars for a full sound that goes up and down.

Shrouded in the mystery of an Instagram account that contains art collages and experimental songs, their elusive image fuels their ambiguous and intriguing music that challenges genres and the limits of typical musical structure.

Surprisingly adept at their instruments and unafraid to play with timing and rhythm, Alex (20, bass, vocals), Keyan (19, guitar, vocals) and Dillon (20, drums) create a space of music and unexplored visuals in an aesthetic and collective of inventive art.

Their enigmatic image and alluring DIY tunes make this Orange County band a treat to be discovered. True to their cryptic image, while it’s a pleasure to talk, you’ll have to listen to their music yourself to find out more.

NB Indy: How did each of you get started in music?

Alex: I have been singing all my life and my dad taught me the guitar. I had a bass for fun, but never played it seriously until I joined Julie.

Keyan: I didn’t start playing guitar until halfway through high school to relieve stress. I did it to make myself feel better, then I started to write riffs.

Dillon: In high school I learned bass and learned songs, then out of nowhere I learned drums myself. We are all fairly new to our instruments.

NB Indy: What’s your songwriting process like?

Alex: We write all the songs. One person will bring a melody or a riff, and we structure it collectively together.

Keyan: We’re very picky, like, let’s sit in a circle and work on the bassline, sort of thing. We all do it together, in some way.

NB Indy: I ​​love the aesthetic of your band’s Instagram posts. Who collects these art collages?

Dillon: I proposed visual collages and a somewhat poetic, random and obscure aesthetic. I’m going to take a line from a book I found, or something from Tumblr and pick these things out and then put them together.

NB Indy: What are your songs “Flutter” and “Kit” about? And the theme of your Pushing Daisies EP?

Keyan: For “Flutter” we started with a little riff and then we were like “what if we turn it into a three part song? It was kind of a study of measures and it was meant to be a musical study. It doesn’t have a precise meaning. Sometimes the vocals don’t have specific lyrics, just cool words. Everything is subjective, so it doesn’t always have a clear meaning. With “Kit” the song just started as an experiment. Rather, they are musical explorations. When we listen to a new musical influence, like (the band) Mad Planet, it influences our sound. With the new EP we took the best songs and kind of found a new direction. We are now more experienced, where as before, our songs reflected our youth and our inexperience. The songs go together, even though we haven’t written them in order. It was a bit like our teenage beginnings. So with our new EP, the first two songs sound angry, then the next two are more lonely, and the EP has two transitional tracks that are more meaningful than we wanted. Our new work focuses more specifically on what makes our sound satisfactory to us, such as complicated structures. The little things that we do in our song structures are what make it a niche and our thing. I want to master more complex song structures as we go along.

NB Indy: What has been your experience with the Orange County music scene?

Dillon: When I was in high school, I was in the music scene and I went to all the punk concerts, like the group Make Out Reef. We’ve been to shows at the Locker Room, Constellation Room, Malone’s, Max Bloom’s, those places.

Alex: In high school my friends were in Make Out Reef

Keyan: I didn’t know the scene until I met Dillon, maybe I went to one or two shows. It was crazy and inspiring to see so many people making fun of bands that weren’t tall.

NB Indy: What are your future projects?

Dillon: We’re going on a tour or two. And work on the development of the brand in its own right, not just music, but a collective of design and art. If we can’t make music, we’ll make art and design. Of course, we’ll continue to write new music, but the design can be with the music as a work of art as a whole and hopefully with our merch it creates community.

Learn more about Julie on:

Link tree: https://linktr.ee/julieband


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Achilles talks about key inspirations, family influences and more https://gogogoairheart.com/achilles-talks-about-key-inspirations-family-influences-and-more/ Sat, 18 Dec 2021 13:09:06 +0000 https://gogogoairheart.com/achilles-talks-about-key-inspirations-family-influences-and-more/ Achilles talks about the main inspirations, family influences and more: Interview Seeking to make her own mark in the electronic dance industry, Achille (real name Matt Cross) has embarked on a journey like no other. Coming from a music-oriented family, this rising star would eventually follow suit and in turn began DJing in 2015, with […]]]>

Achilles talks about the main inspirations, family influences and more: Interview

Seeking to make her own mark in the electronic dance industry, Achille (real name Matt Cross) has embarked on a journey like no other. Coming from a music-oriented family, this rising star would eventually follow suit and in turn began DJing in 2015, with music production shifting quickly thereafter. After racking up multiple Top 100 outings in such a short period of time, it’s no surprise that his undeniable talent hasn’t gone unnoticed. Gain recognition from artists such as CA Slater, Jauz, Marten Horger and Dr French, aside from supporting some of the biggest names in the dance scene, Achilles is definitely an artist to watch. With versatility being a key element for any rising star, Achilles ventures into House music for most of his releases, but at the same time ensures that subgenres such as Bass, Tech, and Speed ​​House occupy a central position. preponderant place in its productions. That said, we are more than happy to have met the man himself, as he talks about his main inspirations, the influence of his music-oriented family, his latest releases’Feeling‘ and ‘Shake it up,’ and much more.

Hi Achilles! Can you give us an overview of the main inspiration (s) behind music production, and how important was it for you to follow this particular path?

When I started, my main inspirations were Skrillex, Flux Pavilion, etc. I was definitely not sure what genre or path I wanted to pursue at first either. Over the years and as I pursued house music these inspirations changed for people like Gauge, Joyryde, CA Slater, etc.

Being born into a music-oriented family, we would like to know if any advice given to you at a young age has helped shape the artist you are today.

Honestly no! I only started producing in my last year of high school and had only been a DJ for a year or two before. Most of my family were already proficient in vocals, piano, guitar, etc. So I was definitely late.

Since your father was a member of a punk band, could you give us some insight into your decision to pursue a career in electronic dance music, and what influence did your father have on your music production in particular?

I would say my dad’s past in a punk band made me love the music and the creative process. It definitely inspired me to find out what talents I could have since I admired him and his talent. My dad helped me a lot with industry advice, continuing my head-on journey etc. I mainly decided to go the EDM route just because I was in love with music at the time. Fast forward to now, it’s still something I really enjoy and hope to be a part of the scene for a long time.

Achilles Live 2

Image Credit: Achilles

As we accumulate multiple Top 100 releases spanning various categories, we’d like to know how important versatility is for an artist like you, and how easy or not it can be to experiment with a range of genres?

Versatility is extremely important as an artist in the making. You are always discovering your ‘sound’, what you work with best, and what areas need work. It is a cohesive learning process that takes years to achieve. Almost every one of my releases from last year has been listed, which is insane, but all of them were different styles and subgenres of house.

With your releases featuring House music subgenres such as Bass House, Tech House and Speed ​​House, we would like to know your overall intention when producing music, and how would you like it to be perceived by your fans?

Producing a specific subgenre, for me, is just limiting yourself. I understand 100% if artists want to stick to one genre, be it dubstep, house, trap, etc. but why not explore the different subgenres under this main genre and catch your listeners off guard? I guess my general intention is to show that there are so many different styles in house music that are all appealing to the ear.

Congratulations on your recent releases “Feeling” and “Shake That”. Can you give us a glimpse of the thought process behind the production of each of these tracks, as well as the general feeling surrounding the energy each of your tracks radiates towards the crowds?

Thank you very much! I would say ‘Shake That’ is one of my favorite tracks right now. Having dated Bite that and seeing Jauz rinsing it off at EDC, I was really at a loss for words. ‘Shake that’ is one of those carefree, energetic tracks that will rock anyone on the dance floor and it’s exactly what I expected. As for “Feeling”, I definitely went off the beaten track on this one. Most of my tracks are from the standard 3 minute range, but with this one I wanted to expand it and further organize a story through a song. This one took a lot longer to create because it just had to be perfect. I’m so glad I released this track through Dynamism and already perform more than 100,000 flows.

Achilles Live 1

Image Credit: Achilles

With COVID-19 having a significant impact on the live industry and not only, we would like to know the effect the pandemic may have had on you, and whether the free time has helped to further improve your music production or not. ?

As difficult as midlife was for most families and people around the world and how tragic it was to lose family members, I was in a way (as an artist) grateful for being able to use that time to really suppress new music and focus on what’s really important rather than the shows. I would say it improved my skills and gave me the time to really build a plan for Project Achilles.

This year is now almost over, and we’d love to hear about your future plans, as well as any new Achilles music that may be on the horizon in 2022?

A lot of planning is going on right now. I don’t want to give it all away, but over the next year or so you can definitely expect to see a lot of new music, including collaborations with some of my favorite artists right now. New merch, new visuals, etc. I’m really super excited for 2022 and the years to come. I really believe this project is heading to the next level.

Featured Image Credit: Achille (Press)


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Springsteen sells music catalog for $ 500 million – Entertainment https://gogogoairheart.com/springsteen-sells-music-catalog-for-500-million-entertainment/ Fri, 17 Dec 2021 05:18:24 +0000 https://gogogoairheart.com/springsteen-sells-music-catalog-for-500-million-entertainment/ Press office (AFP) Washington, United States ● Fri 17 December 2021 2021-12-17 12:15 0 e67865b5f73a3e39aadee3da7117f368 2 Entertainment Bruce-Springsteen, singer, usa, music catalog, pandemic, sale To free Sony Music announced Thursday that it has purchased the rights to Bruce Springsteen’s music catalog, apparently for half a billion dollars, making him the latest superstar singer to join […]]]>

Press office (AFP)

Washington, United States ●
Fri 17 December 2021

2021-12-17
12:15
0
e67865b5f73a3e39aadee3da7117f368
2
Entertainment
Bruce-Springsteen, singer, usa, music catalog, pandemic, sale
To free

Sony Music announced Thursday that it has purchased the rights to Bruce Springsteen’s music catalog, apparently for half a billion dollars, making him the latest superstar singer to join a pandemic-fueled sales frenzy.

According to the New York Times and US entertainment site Billboard, the sale includes Springsteen’s music catalog as well as all of his work as a songwriter, such as the iconic hit “Born in the USA,” which has sold nearly 30 million copies.

The Times cited sources with knowledge of the deal. Sony confirmed the sale in a statement but did not say how much the deal was for.

“For the past 50 years, the men and women of Sony Music have treated me with the utmost respect as an artist and as a person,” Springsteen said in the Sony statement. “I am delighted that my legacy continues to be cared for by the company and the people I know and trust.”

Nicknamed “The Boss” and “America’s Dad,” Springsteen, 72, was with Sony’s Columbia Records for his 50-year career, selling over 150 million records.

Admired at home and around the world, the New Jersey-born folk musical storyteller has won 20 Grammy Awards.

He recently launched a conversational podcast and accompanying book with former US President Barack Obama, titled “Renegades: Born in the USA”.

Soaring prices

The Covid-19 pandemic has rocked the entertainment industry, but music publishing – a side normally under the corporate radar – is a booming business.

Royalty streams from song copyright portfolios can prove lucrative in the long run and increasingly attract investors, even as other industries bear the brunt of the pandemic.

In October, 81-year-old Tina Turner sold her music rights to German group BMG for an undisclosed amount.

2016 Nobel Prize winner Bob Dylan, 80, sold his entire catalog to Universal Music a year ago for an estimated $ 300 million.

Fleetwood Mac’s Stevie Nicks has reportedly received $ 100 million for his controlling stake in the group’s catalog, while Canadian-American singer Neil Young, punk band Blondie and Shakira have also signed deals for unspecified amounts.

Industry experts say list prices started to rise before 2020, but skyrocketed during the pandemic when artists found themselves deprived of tours and concerts.

The company that runs much of the business is Hipgnosis Songs Fund, a UK investment and management firm that launched on the London Stock Exchange in July 2018.

Other major players include Primary Wave, which struck the deal with Nicks, Tempo Investments, Round Hill and Reservoir.

Blogger and music analyst Alan Cross has defended Springsteen against “clearance sale” charges.

“Bruce is just getting an advance on his income, money that would have come back after his death,” Cross wrote.

“By selling to Sony, he knows they’ll keep his music alive for decades to come. They kind of have to because they need their money back.”

David Crosby, singer-songwriter and founding member of the Byrds and Crosby, Stills and Nash, told AFP earlier this year he was selling his own catalog because Covid had ceased live performances.

“The main reason is just that we’ve all been sort of forcibly retired and there’s nothing we can do about it,” he said.

Many musicians also claim that the streaming services only benefit major artists while paying the older, cult and up-and-coming musicians extremely low.



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