Post Punk – Go Go Go Airheart Sat, 08 Jan 2022 18:28:18 +0000 en-US hourly 1 Post Punk – Go Go Go Airheart 32 32 KISS to release live recording of the 2004 Virginia Beach Show Sat, 08 Jan 2022 17:16:25 +0000 The rock icons KISS are about to release another opus of their Off the soundboard official bootleg series live with KISS – Off The Soundboard: Live in Virginia Beach. The release, scheduled for March 11, was originally taped live at the Virginia Beach Amphitheater on July 25, 2004. The series kicked off in April with […]]]>

The rock icons KISS are about to release another opus of their Off the soundboard official bootleg series live with KISS – Off The Soundboard: Live in Virginia Beach. The release, scheduled for March 11, was originally taped live at the Virginia Beach Amphitheater on July 25, 2004.

The series kicked off in April with a live recording of their 2001 performance at the Tokyo Dome. The latest installment will be available for streaming and download, as well as a standard 3 LP black vinyl set, 2 CD set, and a limited edition 3 LP set pressed onto opaque green vinyl. All options are available through the official KISS online store, here.

The Virginia Beach show took place amid their Rock The Nation Tour, the first complete American tour with Paul Stanley, Gene Simmons, Tommy Thayer and Eric Singer. The 20 song set included “Lick It Up”, “I Love It Loud” and “I Was Made For Lovin ‘You”.

The news comes after KISS wrapped up its 2021 U.S. portion of its End of the Road farewell tour, where some gigs were affected when Simmons and Stanley each tested positive for COVID-19.

In other KISS news, the group canceled their Las Vegas residency at the Zappos Theater at Planet Hollywood Las Vegas Resort & Casino. After reports that the residency, originally scheduled for December 2021 to February 2022, has been removed, KISS director Doc McGhee has suggested it will be postponed until later in 2022.

Most Anticipated Rock + Metal Albums of 2022

What should be on your radar for 2022.

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Korn creates new song excitement with hard-hitting website teaser Thu, 06 Jan 2022 20:13:26 +0000 Are we about to have more new music from Korn? It seems so, as the band’s website is now leading fans to a percussive tease for what appears to be associated with a new song (potentially titled “Now”). Fans who visit the website are greeted with a dark screen with tree branches obscuring the moonlight. […]]]>

Are we about to have more new music from Korn? It seems so, as the band’s website is now leading fans to a percussive tease for what appears to be associated with a new song (potentially titled “Now”).

Fans who visit the website are greeted with a dark screen with tree branches obscuring the moonlight. There’s also a series of floating hands gripping heart-shaped faces, and the words “Remove this veil that I see…” Maybe the lyrics for the new song?

By clicking on the lyrics at the bottom of the homepage, fans are allowed to download an MP4 file titled “Now” which would appear to contain a sample of Ray Luzier playing drums for the new song. It should be noted that one of the floating hand images on the screen is active, while the others remain hidden and currently unable to access, suggesting the possibility that other instrument previews may be. added before revelation.

Find out and download the first of what appears to be multiple song teases at group website.

Korn started the promotion for their next Requiem album in November revealing the single “Start the Healing”. The album is slated to arrive on February 4th via Loma Vista Records and pre-order / pre-registration information is available. here.

Jonathan Davis of Korn praised the album’s recording process, saying it was the first record where he didn’t have to rush his lyrics. Meanwhile, guitarist Munky told Loudwire Nights he thinks the new album reminded him of the early 2000s. Untouchables the era of the group.

“We have a lot of textures and there are a few layers and recording techniques that we did [such as] tape recording. We did all the drums and did a lot of analog recordings, and we just got out of work on a computer, ”Munky said. “I feel like it’s going to take the fans a minute to sort of digest. And also, we have to put ourselves where we were in the middle of COVID. The whole world has stopped. At one point LA had these big fires and there was that orange sky, the virus was there – it was so dystopian. “

Keep an eye on Korn’s website to see what other previews they have in store and circle your timeline to get Korn’s new album. Requiem February 4.

Most Anticipated Rock + Metal Albums of 2022

What should be on your radar for 2022.

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Check out The Pitch’s calendar of events in January Tue, 04 Jan 2022 22:15:26 +0000 Revolution: the music of the Beatles Looking for things to fill your calendar this month? Look no further than our Ground– approved list of events taking place in the metro in January. January 7-9Revolution: the music of the Beatles, Kauffman Center For three nights in Helzberg Hall at the Kauffman Center, Beatles fans can purchase […]]]>

Revolution: the music of the Beatles

Looking for things to fill your calendar this month? Look no further than our Ground– approved list of events taking place in the metro in January.

January 7-9
Revolution: the music of the Beatles, Kauffman Center

For three nights in Helzberg Hall at the Kauffman Center, Beatles fans can purchase a ticket to browse 25 top hits performed by the Kansas City Symphony and conducted by Grammy-winning composer Jeff Tyzik.

The roster also includes several singers invited to perform popular numbers from a roster including “Ticket to Ride”, “Penny Lane”, “All You Need Is Love”, “Get Back”, “Here Comes the Sun” and “” Hey Jude “—as well as” a few surprises “.

Tyzik’s new arrangements are transcribed and arranged from the original Abbey Road recordings.

Tickets range from $ 58.50 to $ 118.50. The Kauffman Center requires proof of vaccination for all participants.

January 5-23
Bad, Kansas City Music Hall

January 21-23
Harry Potter and the Order of the Phoenix in concert, Kauffman Center

January 7
Living well fair, Overland Park Convention Center
Stable chronicles of P & Dj Mahf and Dom, record bar

January 8
Instamatic, Aztec Shawnee Theater
Living well fair, Overland Park Convention Center
Members, The RINO

January 9
Kansas City Reptile Show, DoubleTree Overland Park

January 14th
Monster Jam, T-Mobile Center
The Bretano String Quartet, Madness theater
Repeat offenders, Aztec Shawnee Theater
National Fishing Fair, KCI Exhibition Center

January 15th
Lucinda Williams, Knuckleheads Lounge
Mr. Mojo Risin ‘, Aztec Shawnee Theater
Fifth Annual Onesie Pub Crawl, The KC brick
Randy Rainbow, Chic neighborhood theater
Sébastien Maniscalco, Arvest Bank Theater in Midland
20th Annual Eagle Days, Schlage Library
Little River Band, Ameristar Casino & Hotel
Keys N Krates, Aura KC
Kansas City Fiance Wedding Show, KC Congress Center
National Fishing Fair, KCI Exhibition Center

January 16
Joanie Leeds and her friends, The White Theater Overland Park
National Fishing Fair, KCI Exhibition Center

January 17

Thusday, The Truman

From NatGeo Live Presents: The Secret Life of Bears

January 18
NatGeo Live presents: The Secret Life of Bears, Kauffman Center

“When the wild lands of their habitat are crisscrossed with roads, fences and ranches, how can bears and humans coexist peacefully? “

Dr Rae Wynn-Grant, carnivorous environmentalist and scientist with National Geographic’s Last Wild Places Initiative, has spent much of his career searching for the answer to this question.

Dr Wynn-Grant will shed light on the matter at the Kauffman Center on Tuesday, January 18, drawing on his time observing East African lions living in close proximity to humans as well as his more recent studies. on the behaviors and movements of the North American black bears and grizzly bears.

By following the movements and behaviors of these animals, this NatGeo speaker seeks to find new, innovative methods to improve relationships between local communities and the powerful wildlife that surrounds them.

This event is sponsored by the John N. and Marilyn P. McConnell Foundation. Tickets are available between $ 33.50 and $ 68.50.

January 19
Wolves in the throne room, The grenade

January 20
Ryan Sickler, Kansas City Comedy Club
Sub-Docta, Chic neighborhood theater

January the 21st
Kacey Musgraves, T-Mobile Center
Ryan Hurd, The Truman
Parsons dance, Kauffman Center
6th edition of The Band That Fell to Earth: David Bowie Tribute, record bar
Honey cart, Aztec Shawnee Theater
Nate Bargatze, Arvest Bank Theater in Midland

22 january
Strait of George, T-Mobile Center
Mystery Science Theater 3000 LIVE !, The Kauffman Center for the Performing Arts
Chris Stapleton, Osborne brothers with George Straight, Bulk park
Kayzo, The Truman
Stars vs. Comets (Football), T-Mobile Center
Battle of the Bean 5k, Pont Rouge shopping center
André Santino, Chic neighborhood theater

23 january
Show Me Reptile & Exotics Show, Blue sources

The first of four Kansas City area stops for the Show Me Reptile & Exotics Show will be at the Adams Pointe Conference Center in Blue Springs on January 23, 2022 from 10 a.m. to 3:30 p.m.

For an entrance fee of $ 7-12 (kids 12 and under enter free), guests can browse thousands of captive-bred exotic reptiles and animals and learn the ropes from hundreds of breeders and informed amateurs.

Vendors will be available to answer questions about animal care, offer tips and advice for beginners, and share their experiences. Pens, feeders and other supplies will also be readily available.

The Family Show was founded in 2015 by Show Me Snakes with the aim of “creating a space where people could share their unique passions and encourage safe and responsible conservation; and to embolden the curiosity sometimes hidden behind fear.

Eclipse Trio ft. Glenn North, Midwest Trust Center
Highway bandits show, New OP theater and restaurant

Free throw

25 january
Mix the Winter Bash of 93.3 with Nelly, Chic neighborhood theater
Free throw, The RINO

Free Throw is a self-proclaimed emo revival band that formed in Nashville in 2012. They sound a lot like Hawthorne Heights and have a roster of originals that includes Pokemon inspired titles like “Victory Road”, “Pallet Town” and “Better Let Burns Heal”.

Inspired, they say, by “underground punk” actors like Snowing and Algernon Cadwallader as well as generational staples like My Chemical Romance and Fall Out Boy, Free Throw is a staunch believer. mid-2000s emo sounds synthesized with pop-punk, post-hardcore tracks with all the nostalgic elements of our prime.

The group will promote their fourth studio album, Piecing It Together, at RINO on January 25. Tickets are $ 18 and doors open at 7 p.m. for this show for all ages.

Motion City soundtrack, The grenade

January 26
Dillon Francis x Yung Gravy, Arvest Bank Theater in Midland
Highway bandits show, New OP theater and restaurant

January 27
The crucible, Shawnee Mission West High School

28 january
Jim jefferies, Arvest Bank Theater in Midland
WWE Smackdown, T-Mobile Center
Garrick Ohlsson: Master pianist, Madness theater
Falling upside down with Hawthorne Heights, Jeris Jackson, Chic neighborhood theater

29 january
KC Beer Festival, Union Station
MGD, The boat
Mansionair, record bar
Weddings Unveiled KC Bridal Show, Fiorella Event Center
Mark Kline, To bark
Fortune Feimster, Chic neighborhood theater

January 30
Strauss’s Death and Metamorphosis, that of Prokofiev
Second Violin Concerto, Kauffman Center

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Basic runner Ellis first EP review Sun, 02 Jan 2022 21:26:05 +0000 Artist: 1st Base Runner (Real name: Tim Husmann) EP: “Ellis; »Release: December 10, 2021; Produced by Husmann; Mixed by Colin Bricker at Mighty Fine Productions; and mastered by Greg Calbi and Steven Fallone in Sterling Sound Contemplating the challenges of their lives and what they need to do to regain a sense of calm and […]]]>

Artist: 1st Base Runner (Real name: Tim Husmann)

EP: “Ellis; »Release: December 10, 2021; Produced by Husmann; Mixed by Colin Bricker at Mighty Fine Productions; and mastered by Greg Calbi and Steven Fallone in Sterling Sound

Contemplating the challenges of their lives and what they need to do to regain a sense of calm and in control over their destiny is a powerful theme that musicians of all genres can embrace and explore in their songs. This is certainly the case for Austin, Texas-based artist Tim Husmann, who performs under the stage name, 1st Base Runner. The electronic singer-songwriter shines a light on people’s struggle to find their way back on his recently released second five-track EP, “Ellis.”

The powerful new collection follows Husmann as he further expands his atmospheric and intensely personal sound signature by incorporating indie rock, shoegaze, post-punk, pop, ambient and alternative musical influences into his latest songs. “Ellis” once again proves his power as a performer, having released his indie-rock electronic debut LP, “Seven Years of Silence” on July 30th. The powerful full album delved into the fundamental truths about what it means to make people present on their own terms in modern society.

The singer’s new EP is thriving in part because he feels comfortable collaborating with his longtime friend and co-writer, Bryan Ellis. The comfort of the musicians with each other created a lively atmosphere which is enlivened by a mixture of bright chords and percussion, which is similar to the instinctive mood which was presented on “Seven Years of Silence”.

Husmann and Ellis created the perfect score for young love throughout the EP, which is stylistically similar to the music of rock bands such as Radiohead, Nine Inch Nails, My Bloody Valentine and Godspeed. “Ellis” begins with the stellar entry “Near Me”. Driven by gothic, industrial and electronic beats created by a dark and thrilling drums and bassline, the new wave and multi-layered electro-pop track is also inspired by the signature sound of Depeche Mode. Also supported by funky rhythms, Husmann’s sumptuous voice infuses his lyrics with mysterious and dark tones. While the song’s lyrics are repetitive, as the singer questions whether the person he loves would be willing to come close to him again, the overall beats make the opening song a potential club hit.

“Near Me” is followed by “Flux”, the most memorable and impactful entry of “Ellis”, which continues the classic electronic instrumental rhythm of “Near Me”. The track also features brilliant new wave instrumentals that support the musician’s powerful, husky voice, which infuses the lyrics with sultry tones. The relatable tune shows Husmann contemplating his connection to the person he loves and whether they should continue their relationship. The singer also remembers all the experiences they have had, both together and alone, and wonders if they can overcome the differences they have encountered on their travels.

“Ellis” ends with the reflective “Man Overboard” entry, which is motivated by meaningful symbolism. Husmann hums about being weighed down by relatable mounting obstacles as he tries to defend himself and reach the surface. Driven by an electronic and classic techno beat, the musician reflects on attempting to step back in time where he felt a sense of calm and in control of his life, which makes the song a stellar EP conclusion.

Husmann proves just how remarkable a musician he is with the recent release of “Ellis,” which stands out for its emotional themes, including people working together to achieve a sense of calm and control over their relationships and destiny. Also enlivened by atmospheric instrumentals and stellar vocals, the indie-alternative-electronic-shoegaze EP remarkably highlights the singer-songwriter’s vulnerabilities that concern fans of all musical genres.

For more information on Husmann, visit its official site, as well as his Facebook, Twitter, Instagram, Spotify, Band camp, SoundCloud and Youtube pages.

The cover of 1st Base Runner’s indie-alternative-electronic-shoegaze EP, “Ellis”. Art by: Matt Needle.

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Expect these spring and summer concerts bound for Boston Sat, 01 Jan 2022 05:31:37 +0000 Winter is setting in and things can be quiet for a while. So, what better time to think about all the outdoor shows we can enjoy in a few months? It helps to know that the spring and summer season is already shaping up to be one of the strongest in years, although of course […]]]>

Winter is setting in and things can be quiet for a while. So, what better time to think about all the outdoor shows we can enjoy in a few months?

It helps to know that the spring and summer season is already shaping up to be one of the strongest in years, although of course the 20s and 21s are pretty easy to beat.

Reggae in the sun sounds pretty good right now, and California revivalists Rebolution arrive at the Leader Bank Pavilion on June 18, with England’s premier reggae band Steel pulse set to open. One of the best songwriters in the world, Lucinda williams will be there on June 17th – opening for Bonnie raitt, which is not outdone itself.

Bonnie Raitt performs “Angel from Montgomery” at the 62nd Annual Grammy Awards on Sunday, January 26, 2020 in Los Angeles. (Photo by Matt Sayles / Invision / AP)

The bill of dreams of an 80s hipster, Tears for fears with Garbage, is playing on June 22. And the entire population of New Orleans – or at least, most of its top musicians – hits the pavilion on June 11: Headliner Shorty Trombone has concocted a poster with the legends of the city (Cyril Neville) and its upstarts, such as the jazz / funk / rap group Tank & the Bangas. Not quite a trip to JazzFest, but a fair substitute.

Mansfield’s Xfinity Center will once again be classic rock heaven, with venerable like Dan of steel with Steve winwood July 2nd Chicago with Brian wilson July 10 and Rod stewart with Cheap tip August 12. Would we dare to suggest that the headliner / bracket slots on these three tickets be reversed?

Russell Mael, second from left, and his brother Ron, far right, of the Sparks group perform before a special screening of the film “Annette” at the Hollywood Forever Cemetery on Wednesday, August 18, 2021, in Los Angeles. (AP Photo / Chris Pizzello)

A handful of legendary groups that you absolutely will never see will also arrive about to arrive. The last time we saw the eccentric cult pop heroes Sparks, they performed in a half-full Brighton Music Hall 10 years ago. But with a recent movie getting the word out, they head to the Shubert Theater on March 30. And here’s an intriguing one: We’ll swear XTC are one of the greatest bands in British pop history, and thanks to a lone frontman, they haven’t toured in 30 years. But a version of the band arrives at City Winery on April 8 – although this version, known as EXTC, only features drummer Terry Chambers from the climax. Still, YouTube clips show their frontman doing a good job replacing the shy Andy Partridge.

Curt Smith of Tears for Fears performs at the 2019 Shaky Knees Festival at Central Park in Atlanta on Friday, May 3, 2019 in Atlanta. (Photo by Paul R. Giunta / Invision / AP)

The veteran ska / pop group Madness is a beloved institution in the UK, but usually a no-show in the US – They haven’t been here since “Our House” was a hit in the 80s. The same six guys who started the group in 1976 made their long delayed stopover at the House of Blues on June 2. In addition, there are few live shows of Kraftwerk, the German robotics group that has influenced everyone who has even played with a synthesizer. They’re at the Wang Theater on June 11 – “3-D” nothing less, as opposed to all those 2-D shows you’re used to.

One of the flagship groups of American independent rock, Pavement, last staged it in 2010, but they received the royal treatment and performed at the Wang Theater on September 28. Even more improbable, Bikini kill – the incendiary group that started the riot grrl movement – performs in the same theater on July 15, with a longtime punk provocateur Alice bag share the bill.

For those who had the courage to attend indoor performances at the end of last summer, the local reunion of the year was the daring post-punk group the Zulus, whose Paradise show in early September lasted 2.5 hours and included every song they’ve ever had. That was supposed to be it, but they liked it so much that they booked an encore at Paradise on June 18th, even promising a bunch of new numbers this time around.

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13 Seattle-area arts and culture events to look forward to in 2022 Thu, 30 Dec 2021 14:00:00 +0000 Can we finally welcome the comeback of the theater and many other live performances in 2022, to join the artistic groups that have reopened in 2021? Fingers crossed and fervent wishes sent for an end to the pandemic, here are some of the artistic and cultural events we look forward to seeing in the New […]]]>

Can we finally welcome the comeback of the theater and many other live performances in 2022, to join the artistic groups that have reopened in 2021? Fingers crossed and fervent wishes sent for an end to the pandemic, here are some of the artistic and cultural events we look forward to seeing in the New Year. (As always, please check the event websites for COVID requirements and the latest information, and consider safety recommendations from local health authorities as they are updated.)

Classical music

Sibelius cycle

Seattle Symphony is embarking on an ambitious two-year Sibelius cycle, presenting the seven symphonies of Finnish composer Jean Sibelius and the original version of his Violin Concerto. Each program also includes new works – world premieres from Seattle Symphony commissions – by contemporary composers responding to Sibelius pieces. The cycle begins with Seattle Symphony Music Director Thomas Dausgaard conducting Sibelius’ First Symphony in February and his Second Symphony in April.

Symphony No. 1, February 3-5; Symphony No. 2, April 7-9; Benaroya Hall, 200 University Street, Seattle; $ 24 to $ 134; Both programs will also be broadcast live on ($ 129.99 / year or $ 12.99 / month subscription) and available for on-demand viewing for one week after the initial date.


This new opera, featuring an African-American family experiencing the joy of raising a son and the grief of having their son killed by a police officer, was described by the Washington Post in 2020 as “a triumph” and “the best new opera that hardly anyone has seen. Created by composer Jeanine Tesori and librettist Tazewell Thompson, the opera premiered in July 2019 at the Glimmerglass Festival but its 2020 dates at Kennedy Center and Lincoln Center, among others, were wiped out by pandemic closures. Fortunately, the New York Times opera titled “powerful – as well as unfortunately timely“will soon be seen in more places, with Seattle Opera among the companies planned to present it in 2022.

February 26-March 12; McCaw Hall, 321 Mercer St., Seattle; $ 35 to $ 249;


To dance

whim for him

Leader in the presentation of free outdoor dance throughout the pandemic, the contemporary company of Oliver Wevers returns to the cinema – three of them – present a trio of world premieres, choreographers Ethan Colangelo, Jakevis Thomason and Wevers himself.

January 21-29, Cornish Playhouse, 201 Mercer St., Seattle; January 26, Vashon Center for the Arts, 19600 Vashon Highway SW, Vashon; January 27, Whidbey Island Center for the Arts, 565 Camano Ave., Langley; $ 5 to $ 60;

“Swan Lake”

While it was a joy to see the Pacific Northwest Ballet tentatively return to performing (both fall repertoire programs were small-scale subscriber-only works), I can’t wait for them to take the plunge – a plunge swan, so to speak – in an enormous and glorious ballet of stories, with the rising score by Tchaikovsky and a long, long row of swan ballerinas on pointes. Bring it on.

April 15-24; McCaw Hall, 321 Mercer St., Seattle; $ 30 to $ 190 (digital access only $ 35);

Mark Morris Dance Group and Musical Ensemble

Still beautifully musical, the Seattle native’s longtime modern dance company returns to Meany Hall, with its own musicians, to perform three contemporary works: “Words,” to music by Mendelssohn; “Rock of Ages” on Schubert and “Festival Dance” on a work for three pianos by Hummel.

April 21-23; Meany Hall, University of Washington campus, Seattle; $ 70;

– MM


Jazmine Sullivan

Last year, Jazmine Sullivan shattered a six-year album drought with her acclaimed “Heaux Tales”, reminding the world of her status as R&B royalty. The arrival of the worthwhile project after one of the singer’s prolonged interruptions felt like a low-key event – as “low key” as it gets when your album launch features at least one Super Bowl duet with Eric Church. Tickets to hear Sullivan’s captivating meditations on womanhood and relationships, spliced ​​into stereotypically defying vignettes on “Heaux Tales,” at Paramount were quickly picked up – many by opportunistic resellers it seems, as around 200 resale tickets were available at the time of writing. But if anyone’s voice is worth paying a premium, it’s Sullivan’s.

February 17, Paramount Theater, 911 Pine St., Seattle; to settle;

Billie Eilish

After pandemic delays, the biggest American pop star of Gen Z is finally returning to Washington as a real arena headliner with a two-night sold-out stage at the Climate Pledge Arena. The wait was long enough for Eilish to unload an acclaimed second album in last year’s hypnotically sparse film “Happier Than Ever,” backed by an Apple TV + doc and his own special Disney + concert. – the new pandemic standard for superstar album deployments. Two years after winning the Grammy Awards, the 20-year-old reformed neo-goth pop juggernaut has a chance to win three of the top four at this year’s ceremony, along with his big brother / writing partner Finneas for best. new artist separately.

March 25-26, Climate Pledge Arena, 334 First Ave. N., Seattle; to settle;

Olivia rodrigo

2021 belonged to Olivia Rodrigo, the queen of pop who is fortunate enough to follow in Eilish’s Grammy footsteps. Just a week after the start of the new year, Rodrigo, the last teenage Disney star to climb the pop charts, dropped the song of the year with “Driver’s License” – a love smash that got America in her feelings like no one over the age of 21 could. The 18-year-old quickly stifled whispers of a hit, months later, releasing her acclaimed debut album “SOUR”, which evokes cutscenes of Taylor Swift singer-songwriter and pop-punk. from the turn of the century. While she can easily play in the shiny all-new hockey arena across town, Rodrigo’s first headlining tour arrives at the relatively intimate WAMU Theater on just three dates.

April 6, WAMU Theater, 800 Occidental Ave. S., Seattle; to settle;



600 highwaymen: “A thousand ways (third part): an assembly”

Of all the experiences with the theater of the pandemic era, “A Thousand Ways” must be the most sensitive to the moment and to the bizarre new conditions in which we have lived: locked in and fundamentally alienated from one another, but intimately linked to strangers across the globe in our questions (what’s going on? For how long? Will it get me or someone I love?) and our fear. “A Thousand Ways” began in September, when pairs of strangers volunteered to call each other on the phone and answer prompts and sometimes intimate questions. This continued in November, when pairs of strangers met face-to-face at On the Boards (separated by a plexiglass barrier) to do the same. In “Part Three,” 12 strangers will come together in a room to collectively tell a story of perseverance. It sounds strange and slightly awkward, but it is also happening right now.

March 3-12; On the Boards of Directors, 100 W. Roy St., Seattle; $ 20 to $ 28;

“Pewter cat shoes”

In this twisted 2018 piece by Trish Harnetiaux, shredder employees from a shoe store somewhere in the Pacific Northwest take to the wilderness for a little self-discovery and teamwork commissioned by the employer. What happens next gets a bit swirling: there’s a new employee who needs to be introduced to the mysteries of the workplace “system”, someone working on a nacho novel and a mysterious casino in the mountains. Directed by Maggie L. Rogers.

April 15-May 7; Washington Ensemble Theater at 12th Avenue Arts, 1620 12th Ave., Seattle; ticket price not yet announced; washington

“Sell Kabul”

The year is 2013 and the Obama administration has started withdrawing its troops from Afghanistan. Taroon, who worked as a translator for US forces, is hiding in his sister’s apartment in Kabul – he is a target of the Taliban – and is trying to get the special immigrant visa the US owes him. Meanwhile, his wife, who lives separately, has just given birth. A New York Times reviewer describes the game, by Sylvia Khoury, as having “elements of a Greek tragedy and spy thriller … if I bit my fingernails again, I would be out of my fingernails now.” Lucky for us, local genius Valerie Curtis-Newton leads – she excels at incredibly complex relationships, high-stakes decisions, the human consequences of seemingly impersonal political decisions and cultural forces, and the other things that make Selling Kabul vibrate. “.

April 22-May 22; Seattle Representative, 155 Mercer St., Seattle; ticket price not yet announced;

– BK

Visual art

Christina quarles

You have never seen bodies like the bodies of painter Christina Quarles: they are rubbery and liquid, with improbable geometries and impossible physics, and sometimes they are stacked and fused, like several selves bursting out of a single piece of flesh. Which really makes sense when you learn that the Los Angeles-based artist paints explicitly about gender and race – but she’s also very interested in painting. “The paintings feel like they speak ambiguously about the painting itself,” critic Debra Brehmer recently said. written in Hyperallergic, “with the numbers playing a supporting role.”

from February 12 to June 5; Frye Museum of Art, 704 Terry Ave., Seattle; free;

“Our blue planet: global visions of water”

The uncertainty and financial costs of COVID-19 have put a damper on traveling art exhibitions, causing some museums to focus more on exhibits from permanent collections and local loans – “Our Blue Planet” at the Seattle Art Museum is one of these exhibitions, featuring a hundred books on the theme of water. Expect a vast array of artifacts, across centuries, mediums, and the world: photographs from India in the United States, Japanese woodcuts, video works from the Philippines and the northwestern part of the country. Pacific, fluorescent light sculptures and paintings of Germany from the 19th century to the 21st century. century in Australia.

March 18-May 30; Seattle Art Museum, 1300 First Ave., Seattle; $ 19.99 to $ 29.99; 206-654-3100,

– BK

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Moments that made us smile: 2021 Sun, 26 Dec 2021 16:28:00 +0000 It all started with a bang, the sound of metal crashing onto the sidewalks of Washington, DC as hundreds of Trumpers stormed the Capitol. This continued into another pandemic year; for every two steps we took with vaccines and testing, we were repelled by variants and by those who valued personal freedom rather than the […]]]>

It all started with a bang, the sound of metal crashing onto the sidewalks of Washington, DC as hundreds of Trumpers stormed the Capitol. This continued into another pandemic year; for every two steps we took with vaccines and testing, we were repelled by variants and by those who valued personal freedom rather than the health of society. We went deeper into the internet, the metaverse, the cryptosphere – remember a time before NFTs? – and walked out the other side perhaps feeling a little less connected to our humanity.

But there were things to be thankful for, brief glimpses of hope and happiness in what could be one of the most difficult years of our lives. Thus, the staff of Rolling stone took this opportunity to dig out moments that reminded us that the world isn’t always a cold and hard place, even in 2021.

January 20: Amanda Gorman becomes youngest inaugural poet in U.S. history, welcoming Joe Biden to power

There was no clearer incarnation of the break with the darkness of the Trump era than when Gorman, 22, took center stage on the day of the inauguration of the West Front of the United States Capitol. United – in his bright yellow coat and bright red headband, flashing an exuberant smile – to read his ode to the new presidency, “The Hill We Climb”.

Her slender fingers punctuating the air like a conductor, the young poet spoke hopefully about the trauma of the nation. “Somehow we have stood up and seen / a nation that is not broken but just unfinished.” Her poem, a powerful rebuke of those who would “break” America’s promise “rather than share it”, spoke of the hope for a “new dawn” that “blossoms as we release it.” . For there is “always light” Gorman tells us – “if only we are brave enough to see it.” / If only we were brave enough to be. It was a reminder that after a gloomy winter there might be sunshine ahead. –Tim dickinson

March 25: Lil Nas X releases video for “Montero (Call Me By Your Name)”

When Lil Nas X released their highly anticipated debut album Montero earlier this year, it was no surprise that the Conservatives took up arms. But no one could have expected him to bait trolls in the most spectacular way possible: by releasing a super gay and super sexy video in which he twerks about the Devil in Hell. When it was released last March, the video for “Montero (Call Me By Your Name)” infuriated conservative interest groups around the world. However, he got a resounding endorsement from Satanists, one of whom said Rolling stone that Lil Nas X “obviously does his homework“on Satanism. A take from the Devil himself? There is nothing more rock and roll than this. -Ej Dickson

May 15: Olivia Rodrigo makes pop-punk cool again on SNL

When Olivia Rodrigo performed “Good 4 U” on Saturday Night Live, social media users quickly picked up on the similarities between the catchy new single and Paramore’s 2007 hit ‘Misery Business’ – and people were to feel it. For a glorious moment, bridge between generations, it seemed like everyone was jumping up and down on that adorable pop-punk sound, elevating the Anthem of Breakup to the top of the song of summer. As Rob Sheffield wrote of Rodrigo at the time, “She doesn’t cling to stylistic or historical boundaries – in her songs the old and the new school play out and draw inspiration from each other. Anything old is new again, and anything in the past can be the start of something new, as long as an artist like Olivia can find a way to use it. -André Marques

May 21: Les Linda Lindas perform “Racist, Sexist Boy” at the Los Angeles Public Library

It was May 2021. I had just read the 25th article on how we all hit the seventh pandemic wall when I was scrolling through the video published by the Los Angeles Public Library, with a group called the Linda Lindas.

The clip, which eventually went viral, begins with Mila de la Garza, the then 10-year-old drummer, wearing a green scrunchie and a black Bikini Kill t-shirt, telling the story of a boy from his class whose father told him to stay away from the Chinese. Mila and her bandmates, sister Lucia, Eloise Wong and Bela Salazar, then engage in a primal scream of a song “Racist Sexist Boy”.

You are a racist and sexist boy
And you have racist and sexist joys
We rebuild what you destroy
You are a racist and sexist boy

There was something so refreshing about the straightforwardness of the lyrics and the power of their loud, screaming vocals and catchy punk beats. These children let go of their pent-up rage and invited us all to do the same. A few days after the video, the Linda Lindas signed a deal with Epitaph records and they released two songs “Oh” and “Nino”(The band’s second song on a cat) and have Riot Grrrl personalities like Kathleen Hanna and Carrie Brownstein among their fans.

May 29: half of the United States gets the jab

Do you remember the first person you visited after getting vaccinated? Mine was my college roommate in May, who had just had her first child. We screamed and kissed on the sidewalk outside his Philadelphia home. Memorial Day weekend 2021 was a highlight of our Covid year. That Saturday, CDC data showed we had reached the milestone of vaccinating more than half the population. With the snap, he was finally sure to visit loved ones, organize dinner parties, and even plan a vacation. Little did we know what Delta (and now Omicron) had in store, the proliferation of vaccines last spring ended the era of total lockdown and, for many, dramatically reduced the overall misery of work, school. , home life and, well, existence. -A M

July 20: Wally Funk goes to space

In 1961, NASA chose Mary Wallace “Wally” Funk as the youngest of 13 elite female pilots to train to become astronauts in the nation’s first manned space flight program. But she never got to go – until now. In July 2021, Funk, at 82, became the the oldest no one at the time to go to space aboard Jeff Bezos’ Blue Origin rocket, fulfilling his lifelong dream (and making the Amazon founder’s publicity stunt a little more meaningful). After Funk returned from the 11-minute suborbital flight, she said: “I want to go back, quickly. “-A M

Beginning of October: R / Antiwork brings the Great Resignation to Reddit (and beyond)

Millions of people have left their jobs this year, frustrated by exploitative employers paying poverty wages during a pandemic. There was an imbalance of power, some of them noticed – in these tough times bosses needed hired workers more than hired workers needed crappy jobs. In the fall, some of the textual interactions that led to these mass walkouts began to go viral. The concept was simple: a boss asks for something unreasonable (cover a shift with just a few hours’ notice; cover during a scheduled vacation), gets angry when the employee says no, then becomes desperate when the employee quits. instead of nodding to an abusive boss. R / Antiwork, the Reddit forum where many of these texts first appeared, had been around for eight years, but it was the pandemic that drew nearly a million members. “It’s crazy,” said host Doreen Ford, a 30-year-old dog walker in Boston. Rolling stone in October. “We never really thought something like this would happen. I have never been part of something so successful in my life. -Elisabeth Garber-Paul

October 18: Noodle the Pug’s “No Bones Day” goes viral

There is nothing the internet loves more than old and / or weird animals. Case in point: the meteoric rise of Noodle the Pug, the old and laconic pug who accidentally became an indicator of the national vibe when owner Jon Graziano launched a TikTok series declaring it a “Bones Day” (that is, ie, if Noodle gets up on his own accord) or “No Bones Day” (if he falls down right away). On Bones Days, maybe you could try to be productive; on No Bones Days, ditching the outerwear and becoming one with the sofa was totally okay. “Bones / No Bones Days” quickly became part of the national vernacular, with even the governor of louisiana have fun using the meme as a way to promote the Covid-19 vaccine. -ED

December 6: Ramones Ducks

Although actor Coyote Shivers and his partner Pleasant Gehman started visiting LA’s Hollywood Forever Cemetery at the start of the pandemic, it wasn’t until last December that we found out that they had trained ducks to visit. Dee Dee Ramone’s gravestone every day. They used the Pavlovian tactic of a “dinner bell” ringing to the tune of “Blitzkrieg Bop”, titled “Duckskrieg Bop”.

“Sure enough, it worked like the song of the ice cream truck in the summer,” Shivers said. Rolling stone early December. “Children run up when they hear it.”

It might not have been much, but a few goths finding joy in the graveyard were enough to warm our hearts. The fact that one of the Dee Dee wrote the theme of Animal cemetery didn’t hurt either. –OF

December 13: The saga of Jorts the cat

This viral story of two cats in the workplace appeared in mid-December on the “Am I the asshole” subreddit. A user posted about a dispute involving two cats who live at their workplace: a smart tortoise shell named Jean and a not-so-bright orange cat named Jorts, who has a habit of falling into trash cans and getting stuck in the dust. accidentally close in cupboards. A conflict arose when the user’s coworker tried to teach a stupid cat new tricks, like how to clean himself properly, and the user suggested that Jorts might not have the ability to do so. (To quote one of the top commentators on the thread, “Can’t believe she’s fucking buttery Jorts.”) HR gets involved. A debate erupts over who manages cats. In one update, we learn that cats have staff biographies. What is this company – and is it recruiting? It is impossible to know if the post is true or if it is just an online storytelling brio. It’s not serious. The Jorts saga is pure happiness. -A M

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The big JOE musical quiz of 2021 Sat, 25 Dec 2021 01:06:42 +0000 FIRST ROUND: MAJOR MUSIC EVENTS IN 2021 Garth Brooks is back, baby! How did he describe the cancellation of his concerts at Croke Park in 2014 when he returned to the scene for a press conference in November? ROLLING / SAM BOAL “Like a death in the family.” “Like a crushed cowboy hat.” “Like a […]]]>

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AEW Dynamite recap and reactions (December 22, 2021): CM Stinger Thu, 23 Dec 2021 06:00:02 +0000 AEW Dynamite (December 22, 2021) was from the Greensboro Coliseum in Greensboro, NC. The show featured CM Punk teaming up with Sting and Darby Allin to get their hands on MJF and FTR, Kyle O’Reilly’s surprise debut, and the TBS Championship tournament semi-final between Ruby Soho and Nyla Rose. Be aware of all Dynamite details […]]]>

AEW Dynamite (December 22, 2021) was from the Greensboro Coliseum in Greensboro, NC. The show featured CM Punk teaming up with Sting and Darby Allin to get their hands on MJF and FTR, Kyle O’Reilly’s surprise debut, and the TBS Championship tournament semi-final between Ruby Soho and Nyla Rose.

Be aware of all Dynamite details with the excellent play-by-play of Claire Elizabeth.

CM Stinger

CM Punk, Sting and Darby Allin teamed up for the first time. In a show of solidarity, the three men wore personalized face paint. Allin added a pop of color, Sting had Punk’s taped fists logo on his forehead, and Punk donned the classic Stinger war paint with scorpion trunks.

The main story was about CM Punk and MJF engaging in punches. This never happened, as MJF avoided Punk at all costs. When they were in the ring together as legal men, MJF immediately stood out. He sometimes had to be creative to achieve this. In one case, MJF ran up the stadium stairs with Punk in pursuit. MJF walked a few rows to come back down to the ring and officially retire.

The match was competitive with MJFTR using isolation tactics to gain an advantage. This set up several hot spots for Punk, Allin, and Sting to pop the crowd. Sting did better with a spinebuster at MJF and Stinger at FTR.

Close calls began to pile up with FTR countering Punk in a Big Rig finisher. Sting made the save for the game to continue. MJF brutalized Sting with DDT. The Icon didn’t sell him to hip-throw MJF on the ropes until FTR. Sting followed with an outward flying crossbody on MJFTR.

Tag to Punk sizing MJF for a GTS. Dax Harwood sacrificed himself to keep MJF safe. Dax ate a GTS from Punk, a Scorpion Death Drop from Sting, and a Coffin Drop from Allin. Punk picked up the easy pin for the win.

The main event was a lot of fun. Punk, Sting, and Allin all had times to shine with hot spots. MJF and FTR played their gooey rascals well, and they toughened up when it was time to get serious. Best of all, I love how AEW preserved the novelty of Punk vs. MJF. MJF did his best to avoid contact, and he was successful. Subsequently, in the comments, MJF extended it by claiming that Punk ran like a coward. All of this creates huge anticipation for their next singles match. No date has been mentioned, but it is only a matter of time.

Kyle O’Reilly’s surprise debut

Adam Cole teased a Christmas surprise last week, and it looks like the gift was the arrival of Kyle O’Reilly. Cole and O’Reilly were part of the Undisputed Era faction, along with Bobby Fish and Roderick Strong, in NXT. I say appear, because there was a whole lot of confusion from Cole and the Young Bucks.

Cole kicked off the program by attending a game against Orange Cassidy. When OC gained momentum, the Young Bucks and Brandon Cutler came down for a closer look. Cassidy took out Cutler on a flying crossbody and Best Friends beat the Bucks in the back.

As the match progressed, Cassidy was cocky wearing her sunglasses for a lazy jump from the turnbuckles. Cole saw it coming and countered with a porridge superkick.

Cole followed up with a Panama Sunrise. Mr. BayBay himself was too arrogant using an Al Bundy pin with his hands in his trunks. OC was easily kicked out due to Cole’s lack of influence.

Cassidy returned by dodging a running knee to counter a Beach Break. Cole was kicked out. As OC measured a punch from Superman, Bobby Fish ran to distract the referee. Kyle O’Reilly made his presence known by viciously denigrating Cassidy. Cole cleaned it up with a running knee to win.

O’Reilly continued his assault on Cassidy after the bell. Cole had to pull it off. The Bucks returned to the ring and clearly weren’t interested in teaming up with O’Reilly. Cole took Fish and O’Reilly with him, leaving the Bucks in the ring.

Well done for the surprise. Surprises are always nice, even if this one didn’t particularly resonate with me. I don’t watch NXT so it was just a random dude. Fortunately, O’Reilly had his own name on his t-shirt, which made it easy to identify. I’m sure those knees deep in the Elite lore loved the surprise.

Where I see a problem was in the puzzling reaction to O’Reilly. I had no idea what was going on. It seemed at odds with the Elite story being told at this point. Cole seemed upset with the post-game brutality, and I don’t know why. Cole doesn’t care about Cassidy’s well-being. The Bucks weren’t happy at the sight of O’Reilly, and again I’m not sure why. Guess I guess the bad blood remains between the Bucks and reDRagon, however, they accepted Fish into the fold. Why not O’Reilly too? Cole making little effort to call for peace also puzzled me. If the Bucks end up being babyface, then they really need to do something important to get me to trust them again.

Let’s take a shot through the rest of Dynamite.

Rematch for the world title. The second round between Hangman Page and Bryan Danielson takes place for the TBS debut on January 5. Hangman explained that he didn’t feel like a champion after the 60-minute draw. Danielson interrupted to claim he should be the rightful champion after kicking the cowboy’s ass. To avoid a similar fate in the event of a second draw, Danielson suggested that the judges determine a winner. Hangman agreed, because he won’t need all the time to win.

I’m lukewarm to the judges, but much prefer it so that Hangman and Danielson can face off in a regular wrestling match. This allows the hanged man to prove that he is better. If he won a ladder match or a cage match, then Danielson would still have the talking point of being the best wrestler.

Wardlow defeated Shawn Dean. Four powerbombs in a squash victory. Shawn Spears then hit Dean with a chair for good measure.

There’s not much to take from this other than that Wardlow is a powerhouse. It’s pretty obvious just looking at the man.

TBS Championship Semi-Final: Ruby Soho defeated Nyla Rose. The game got off to a bad start when Nyla attacked for a hockey fight, and Soho’s jacket caught on her wrists refusing to be taken off. The crowd cheered once Ruby was able to remove her coat. The flow was the power of Nyla and the counter-gatherings of Soho. Ruby scored a sweet DDT slingshot. When Nyla picked up a chair, Soho kicked her in the face. Vickie Guerrero paid dividends as a manager by pushing Soho on the turnbuckles and also creating a distraction during a dragon sleeper. Soho knocked Vickie out of the equation with a kick to the head. Nyla jumped for a powerbomb, but Soho kicked the cover. Nyla took a high risk of climbing the turnbuckles. Soho pounced for the No Future kick at corner Nyla for the win.

The Soho finisher has been clumsy since joining AEW, however, it worked out well for this game. It was a nice surprise and seemed effective removing Nyla from the turnbuckles for extra strength. I’m not sure if it can be used consistently in the same way. Otherwise, it might make things cooler when she finds the right circumstances for a win. Soho was the right choice to move forward. Her presence in the tournament final adds a more unpredictable element than Nyla would add.

Malakai Black defeated Griff Garrison. Griff rushed over to eat a head butt. When Black focused on Brian Pillman Jr., Garrison attacked with a suicide dive. Back in the ring, Black outclassed his opponent in the hitting game. Garrison showed heart to land a rolling elbow, then Black flattened him with a bouncing knee. A one-legged crab earned Black the victory by submission. Afterward, Black maintained his hold, so Pillman rushed forward to break the hold. Pillman looked away from Black and paid the price in the form of a head butt.

It was an entertaining squash with both men increasing their stock. Black’s skill level was so high and entrenched him as the dominant force in AEW. Garrison had the courage to land the small attack he committed. This is the kind of fighting spirit that catches my attention. I guess Pillman would be next for Black. Or maybe that would be a good place to start Black’s sidekick to earn a quality tag team win over the Varsity Blonds.

Remarks: MJF and FTR delivered a promo on their main event contest. MJF questioned Wardlow’s dedication.

Hype package for Sammy Guevara defending TNT Championship against Cody Rhodes in special Christmas Saturday night Carnage.

Dan Lambert lamented the unfair treatment of Tony Khan. TK’s pals have opportunities to shine, while men like Scorpio Sky and Ethan Page are on the back burner. For example, Cody is in the next TNT title game. Lambert also pointed out the impossible task given to him. There’s no way Lambert could get fans to cheer on Cody when Cody is a bigger cock than Lambert. Lambert’s only concern is that one of his men becomes TNT’s next challenger. I didn’t take any new angles from Lambert’s promo.

Christmas party with the team of Dr Britt Baker and Tony Schiavone. Tony tried to slip mistletoe over Baker’s head, but Jamie Hayter pushed him back. Baker was not concerned with Riho as a threat to take the women’s belt. Baker is AEW’s pulse for 2021 and will continue to be so in 2022. This segment was disappointing considering it wasn’t really a Christmas party as advertised. It was a crazy mini-interview.

The Owen Hart Cup tournament was promoted with classic images of Owen.

Serena Deeb has said her feud with Hikaru Shida is far from over. Deeb plans to beat Shida so badly that she begs Tony Khan to keep Deeb out for good.

Jungle Boy vs. Isiah Kassidy was booked for Carnage. Matt Hardy explained that the plan was for Kassidy to injure Jungle Boy and then take Jurassic Express No.1 status. Jungle Boy’s response to Kassidy’s ass-pounding threats was a threat to push smut up Kassidy’s ass. I am amused that so much chatter is allowed on cable TV. It sounds like a conversation requiring input from Billy and the Ass Boys.

Show stud: Sting

Sting continues to shine in limited use. He develops a reputation for producing something wild every time he steps into the ring for an official match. This occasion saw the crossbody flying on the outside. Add in moments of emphatic no-sell and heightened attack with signature maneuvers to have Sting steal the show every time.

Match of the Night: CM Punk, Sting and Darby Allin vs. MJFTR

Scrambling action, fun subplot, and Sting!

Category B

The main event was an explosion. The women’s match had high stakes. AEW surprised with the arrival of Kyle O’Reilly. The opener was a mixed bag depending on your penchant for Orange Cassidy. Several promotions seemed to be time fillers without much progress. Overall the show ended above average.

Share your thoughts on Dynamite. How would you rate it? Who stole the show?

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The best musical reissues of the year, from The Beatles to Philly soul to The Roots | Ap Tue, 21 Dec 2021 10:40:52 +0000 The best reissues of the year include a full Beatles immersion experience, an array of Philadelphia International Records 50th anniversary releases, Joni Mitchell and John Coltrane rarities, a Latin Soul dance party, a Bruce Springsteen live performance, a hip-hop classic from The Roots and a Philly jazz iconoclast receiving his due. And much more. It’s […]]]>

The best reissues of the year include a full Beatles immersion experience, an array of Philadelphia International Records 50th anniversary releases, Joni Mitchell and John Coltrane rarities, a Latin Soul dance party, a Bruce Springsteen live performance, a hip-hop classic from The Roots and a Philly jazz iconoclast receiving his due.

And much more. It’s time for last-minute gift shopping, and the packages highlighted here would serve well as bundles of joy for music lovers looking for physical products, the numbers of which are increasing with vinyl sales soaring by. 108% in the first half of 2021, according to industry analysts.

Online retailers can deliver most of the collections annotated below in time for Christmas, but order now. And don’t think of these collections just as expensive gift options. Much of the music featured here is not exclusive to buyers of physical products.

You won’t get the fancy booklets without spending some cash, but you can still listen to the 34 tracks from the triple LP augmented edition of “Do You Want More? !!! ??!” on Spotify, Apple Music or Tidal. So buy a copy for someone you love, then stream the music for yourself.

The Beatles, “Let It Be (Super Deluxe)”

After living the eight hours of Disney + “Get Back” by Peter Jackson on the making of “Let It Be”, I will no longer need to hear “I’ve Got A Feeling” or “Don’t Let Me Down “for awhile. But this six-CD box contains plenty of rare treasures, from the “Let It Be” mix from fashion plate producer Glyn Johns to Billy Preston singing the 1929 “Without A Song” chestnut to a debut “Something” with the lyrics ” Something in the way she moves me draws me like a pomegranate.

Beyond “Get Back”, it was a 50th anniversary reissue year of the Beatles’ two best solo albums. “All Things Music Pass” is the super deluxe version of the wittily seeking 1971 opus, filled with songs that were not of particular interest to George Harrison’s bandmates during rehearsals for “Let It Be”. (He is also promoted by the weird and fanciful celebrity-filled video “My Sweet Lord” which came out last week.) Emotional “Mother” and “Isolation.”

Philadelphia International Records reissues

It was also a big year for the label founded in 1971 by Kenny Gamble and Leon Huff, whose sophisticated soul shaped the decade to come.

PIR has celebrated its 50th anniversary in a variety of ways, from a company-inspired online visual art gallery that has gifted the world of McFadden & Whitehead’s “Ain’t No Stoppin ‘Us Now” to collections compiled in all kinds of configurations. physical via Sony Legacy Recordings and partner labels.

There is a single LP “The Best of Philadelphia International Records” with tracks from Billy Paul, The Three Degrees and others. The double LP “Golden Gate Groove: The Sound of Philadelphia Live 1973” relates a show in San Francisco. The best of vinyl dedicated to Lou Rawl, Harold Melvin & the Blues and The O’Jays is available on

British label Snapper Music-United Souls has an ongoing series of lavishly produced eight-CD box sets. For now, “Get On Board The Soul Train, Vol. 1” and “Satisfaction Guaranteed, Vol. 2” are available. And the Vinyl Me subscription service, Please, has an eight-album “The Story of Philadelphia International Records” box set to ship in February.

The Roots, “Do you want more? !!! ??!”

A three-LP reissue of the 1995 second album that brought the Philly hip-hop group to life with poetic tracks with jazz and funk textures like “Proceed” and “Mellow My Man”. Powerful and poignant, with an album cover featuring Black Thought, Questlove and rapper Malik B., who died last year. Bassist Leonard Hubbard died last week at the age of 62.

Hall & Oates, “The Philly Bands”

This limited edition vinyl-only version also bears the Daryl Hall & John Oates name, “Fall In Philadelphia: The Definitive Demos 1968-71”, which is an accurate description of what it contains. This Record Store Day release brings together 20 first recordings from the band’s folk-rock era, with tracks like “Perkiomen” and the prophetic “A Lot Of Changes Comin ‘”.

The substitutes, “Sorry, I forgot to take out the trash”

There is an ongoing reissue program of the catalog of the brilliantly unsuccessful post-punk band from Minneapolis of the 1980s, affectionately known as The ‘Mats – short for’ Placements – spurred on by Bob Mehr’s stunning 2016 biography of the band. , Trouble Boys. This fun and free set of four CDs and one LP brings together the inspired release of “Sorry Ma,” the group’s debut in 1981.

John Coltrane, “A Love Supreme: Live in Seattle”

“A Love Supreme,” the 1965 album by the jazz sax genius who spent his formative years in Philly went platinum – certifying 1 million copies sold – last month. This live set double LP single CD is an unearthed recording from October 1965 that adds to that heritage. NPR jazz critic Nate Chinen compared him to “a Da Vinci scholar finding another Mona Lisa.”

Elvis Presley, “Elvis: Back in Nashville”

This four-CD set focuses on the 1971 recordings and, like last year’s 1970 performances on From Elvis in Nashville, they are stripped of their original orchestral softening. Elvis, still in his prime after returning, seems focused and responsible again, while being cowardly and joking at times. This time around half of the set consists of Christmas and gospel material.

Joni Mitchell, “Archives, Vol. 2, The Revival Years, 1968-1971”

Joni Mitchell is celebrated like never before with the 50th anniversary of her 1971 album “Blue” and as the recipient of the Kennedy Center Honors. Volume 2 in Rhino’s expertly curated series features five discs of live performances and rarities for fans to bask in.

Bruce Springsteen and the E Street Band, “The Legendary Nuclear-Free Concerts of 1979”

The $ 500 million New Jersey man’s live performance at Madison Square Garden with the E Streeters at their zenith is captured here in a DVD and CD package.

“It’s a good, good feeling: the Latin soul of Fania Records”

This fabulously entertaining collection of four CDs or a condensed two LPs brings together soul and Latin dance music recorded from 1965 to 1975. Artists featured include Joe Bataan, Willie Colon and Ray Barreto. More obscure goodies come from bands like Butter Scotch, which show the dominant influence of Philly Soul.

“The Story of Jimmie Vaughan”

This seven-CD, one-LP set is a lavish celebration of the 70th birthday of a guitarist who is better known as a complementary player than a guitar god like his late brother, Stevie Ray Vaughan, but the music supports the care and the attention given to it. The ensemble covers the blues master from his early days in Austin, Texas, to his work with the Fabulous Thunderbirds and his current solo career.

Hasaan Ibn Ali, “Metaphysics: The Lost Atlantic Album and Retrospect in Retirement of Delay: The Solo Recordings”

In 2021, the late Philadelphia jazz pianist Hasaan Ibn Ali, who died in 1980, finally got the respect he deserved. Metaphysics is the 1965 solo of the influential and idiosyncratic player who was to be lost in a fire. Retrospect is a unique set of standards recorded in Philly in the 1960s.


Nick Cristiano contributed to this article.

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